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備注：已完結(jié)
類型：科幻片
主演：JasonTobias PaolaMenacho SummerSpir
導(dǎo)演：AdamLipsius
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：A scientist builds a massive ark after his warnings of an Earth-destroying flood are ignored. But when it's evident the disaster will occur, those who maligned the scientist now turn to him in desperation, boarding the ark and seeking his answers before the world drowns in a never ending sea.
備注：已完結(jié)
類型：恐怖片
主演：皮特·藍(lán)薩尼 Ailén Mazioni 達(dá)迪·布列瓦 Fabio A
導(dǎo)演：馬里亞諾·寇恩
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：平凡不過(guò)的鄰區(qū)街道上，一臺(tái)再正常不過(guò)的四輪驅(qū)動(dòng)房車，一個(gè)男人輕松地撬開門鎖而入，大肆搜刮了車內(nèi)任何值錢的東西，當(dāng)他打算滿載而出時(shí)，突然發(fā)現(xiàn)整臺(tái)車的車門全都反鎖死，且用盡力氣也無(wú)法敲破車窗，身經(jīng)百戰(zhàn)的他，此刻卻深陷牢不可攻的密室里，然而這時(shí)，車內(nèi)通話突然響起，「你好，歡迎上車…」男子這才發(fā)現(xiàn)自己掉入了車主所設(shè)下的陷阱，他要如何全身而退呢？ 《4x4危機(jī)四伏》是一部全新形態(tài)的驚悚冒險(xiǎn)懸疑電影，電影不只在票房上有亮眼的成績(jī)，吸睛的題材甚至引起各國(guó)爭(zhēng)相購(gòu)買此片翻拍權(quán)利，甚至連《進(jìn)擊的鼓手》制作人在看完后，都表達(dá)對(duì)這部片拍成美版有高度的興趣。而它也不僅僅是一部娛樂片，導(dǎo)演透過(guò)影片傳達(dá)關(guān)于群眾暴力、人性的執(zhí)著與貪婪，都是期待開啟觀眾對(duì)話的鑰匙，希望能夠影響并感染到整個(gè)年輕世代。
備注：已完結(jié)
類型：恐怖片
主演：羅伯特·英格蘭德 肯·科齊格 莫尼卡·凱娜 杰森·雷特 凱莉·羅蘭 克
導(dǎo)演：于仁泰
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：佛萊迪（羅伯特·英格蘭德 Robert Englund飾）和杰森（肯·克辛格Ken Kirzinger飾）都是兩個(gè)大魔頭：佛萊迪是一個(gè)“惡夜鬼王”，有潛入夢(mèng)境控制他人意志的本領(lǐng)；而杰森則是“嗜血狂魔”，最愛肢解小孩。死于兩人手下的冤魂不計(jì)其數(shù)。如今，不甘寂寞的佛萊迪又起 了殺人心癮，他決定和杰森兩人聯(lián)袂，給春木鎮(zhèn)一個(gè)血流成河的殺戮。 鎮(zhèn)上居民在兩個(gè)惡魔的屠殺下遭受血光之災(zāi)，佛萊迪和杰森兩人也在瘋狂的殺人中相互結(jié)仇。誰(shuí)是殺戮王者誰(shuí)擁有最多的地盤，兩人心中早有芥蒂。幾個(gè)年輕人在他們的魔爪面前，巧妙的利用了他們的弱點(diǎn)進(jìn)行離間調(diào)撥，這招不僅救了自己，還挑起了佛萊迪和杰森之間的一場(chǎng)大戰(zhàn)！
備注：已完結(jié)
類型：劇情片
主演：格利高里·派克 安·托德 查爾斯·勞頓 查爾斯·科本 埃塞爾·巴里摩爾
導(dǎo)演：阿爾弗雷德·希區(qū)柯克
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：帕拉丁夫人（阿莉達(dá)·瓦莉 Alida Valli 飾）被控告殺害了自己的丈夫，她找來(lái)了名叫安東尼（格利高里·派克 Gregory Peck 飾）的知名律師為自己辯護(hù)。隨著交往的深入，安東尼發(fā)現(xiàn)自己竟然漸漸地愛上了美艷的帕拉丁夫人，然而安東尼已經(jīng)娶了單純善良的妻子蓋伊（安·托德 Ann Todd 飾），每每想到妻子的臉龐，安東尼的心里就感到格外內(nèi)疚。
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
備注：已完結(jié)
類型：恐怖片
主演：RyanCalavano MirandaCalderon NadiaG
導(dǎo)演：DesmondGumbs
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：十個(gè)人去旅行，然而他們卻誤打誤撞來(lái)到了一個(gè)荒無(wú)人煙的山上。由于缺少返程的汽油，他們不得不到這個(gè)荒涼的山上和漆黑的老宅里探險(xiǎn)。
備注：已完結(jié)
類型：劇情片
主演：瑪格查塔·柯查恰沃斯卡 DariaWidawska Katarzyna
導(dǎo)演：帕特奇·維加
語(yǔ)言：波蘭語(yǔ)
年代：未知
簡(jiǎn)介：弗次瓦夫發(fā)生一具尸體被縫進(jìn)牛皮的命案后，一名警探發(fā)現(xiàn)有位殺手重現(xiàn)18世紀(jì)用來(lái)懲罰罪犯的名為「瘟疫」的手段。
