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備注：已完結
類型：恐怖片
主演：蘇珊·斯塔絲伯格 羅納德·劉易斯 安·托德 克里斯托弗·李 John
語言：英語
年代：未知
簡介：佩妮（蘇珊·斯塔絲伯格 Susan Strasberg 飾）的父母在她很小的時候就離婚了，一直以來，佩妮都跟著母親生活。一場意外奪走了母親的生命，于是，孤苦無依的佩妮接受了父親的邀請，前去和父親以及繼母一起生活。然而到了父親家，佩妮卻發(fā)現(xiàn)在那里的只有繼母一人，雖然這個女人表現(xiàn)得非常的和善與熱情，但佩妮還是對她充滿了戒備。 繼母家里發(fā)生的各種詭異的事情，以及始終下落不明的父親讓佩妮的神經越來越緊張，漸漸地，她開始分不清，在這里經歷的一切，究竟是不是自己的幻覺。很顯然，繼母也希望佩妮產生這讓的自我懷疑。
備注：已完結
類型：劇情片
導演：劉易斯·艾倫
語言：英語
年代：未知
簡介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
