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備注：已完結(jié)
類型：劇情片
主演：杰西·麥特卡爾菲 特里斯汀·梅斯 Micah Giovanni Ant
語言：英語
年代：未知
簡介：The film follows Mike, the owner of a small comic shop in a strip mall in Las Vegas, as he struggles with addiction and his seemingly impossible dream of becoming a comic book illustrator.
備注：已完結(jié)
類型：歐美動漫
主演：菲爾·亨德里 Christina Pazsitzky Duncan T
語言：英語
年代：未知
簡介： 由彭德爾頓·沃德(《探險活寶》)、Duncan Trussell擔任主創(chuàng)，講述Clancy是一名時空穿梭者，他用多宇宙模擬器去探訪生活在其他世界中的生物。將于4月20日登陸Netflix。
備注：已完結(jié)
類型：國產(chǎn)動漫
主演：藤新 佟心竹 幽舞越山 李蘭陵 張韋 劉明月 山新 郝祥海
導演：L.DART（劉沖）
語言：普通話
年代：未知
簡介：《神契幻奇譚》是中國地區(qū)連載時間最長的黑白漫畫，自2008年連載以來，已步入第10個年頭。許多小伙伴用自己整個的青春在追隨，而《神契幻奇譚》也給大家留下了太多青春和熱血的回憶。 目前，米粒影業(yè)正在番劇第一季制作過程中。 第一季的劇情梗概： 千年前，上古諸神離開地球，卻將人類作為奴隸，被神留下契印的人被稱為“初子”，授權(quán)初子使用“神器”的力量，直至近代，“圣女”夏綾因逆天而亡，“圣子”華煉為復活心愛之人，決定打破宿命，帶著夏綾的尸體踏上了尋求復活的道路。 故事發(fā)生在2017年，一個窮苦的少女花儀的意外覺醒了體內(nèi)稱為“神器”的所在，不斷遭受神秘恐怖組織“九州”的侵襲，直至遇見高中學生會的校園偶像夏綾與學生會“極樂池”眾人，揭開為遠古諸神遺物“神器”的面紗。另一方面，為達到統(tǒng)治世界、迎接眾神回歸而收集“神器”的神秘恐怖組織“九州”，不斷地對花儀以及極樂池侵襲，隨著“九州”首領(lǐng)昊天的強襲，揭開“圣子”與“九州”塵封的恩怨、夏綾的身世之謎… 因十大神器“誅仙陣”的崩壞，“真神”降臨，屠戮人間，“圣子”與“真神”搏命一刻被昊天偷襲，未能打破神契的宿命，復活心愛之人，留下無盡的哀傷。
備注：已完結(jié)
類型：喜劇片
語言：英語
年代：未知
簡介：【小熊歷險記】（YellowstoneCubs）是迪斯尼1963年推出的一部TV電影，早年迪斯尼曾經(jīng)拍過一系列以真實動物為主角的紀錄片『真實世界歷險記』，后來迪斯尼又于1957年時推出了一部有劇情的野外紀實片【小松鼠】（Perri），但這些當時都是在戲院首度推出的電影。到了迪斯尼開始用心經(jīng)營電視頻道，跟美國ABC頻道買下時段制播專門的TV電影（『迪斯尼奇妙世界』系列作品），【小熊歷險記】也是其中之一，但這片卻是跟【小松鼠】同樣的野外紀實動物劇情片?！ ∠瘛拘⌒軞v險記】這樣的野外紀實劇情片拍攝起來是十分困難的，不但必須像拍攝紀錄片般從旁捕捉鏡頭，還要加上想像力敘述成一個吸引人的故事。【小熊歷險記】故事就是關(guān)于黃石公園里的兩只小黑熊Tuffy和Tubby，他們意外跟熊媽媽走散了，于是整個夏季就在黃石公園里四處冒險，希望能和媽媽重逢，另一方面，熊媽媽也在找尋她的兩位小寶貝，跟隨他們留下的足跡尋覓而來?！ 拘⌒軞v險記】全片都是在美國黃石公園中實地拍攝，由Charles L. Draper擔任執(zhí)導，劇本則是由Ralph Wright所完成，全片是由Rex Allen負責旁白敘述故事，配樂則是由曾經(jīng)配樂過許多部早年迪斯尼電影的Paul J. Smith所負責。本片并沒有在美國的一般市面上發(fā)行影音產(chǎn)品，而是只有推出給迪斯尼電影俱樂部的會員獨家訂購而已?！ 拘⌒軞v險記】在臺灣沒有發(fā)行過任何影音產(chǎn)品，也還未曾在臺灣的迪士尼頻道上播出過。
備注：已完結(jié)
類型：恐怖片
導演：Joel.Soisson
語言：英語 / 羅馬尼亞語
年代：未知
簡介：羅馬尼亞的首都發(fā)生慘案，接二連三被害人的心臟被挖去，神父的秘密圣經(jīng)上顯露出駭人的未來預(yù)言，以致驚嚇致死。傳說的預(yù)言之書，可以確定或者改變未來，成為魔鬼的目標。神秘出現(xiàn)的黑衣約翰，到底是天使還是魔鬼？這一切發(fā)生在紅色社會主義政權(quán)倒臺之后的羅馬尼亞，和一個小偵探的親密相關(guān)……
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語言：英語
年代：未知
簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
