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備注：已完結(jié)
類(lèi)型：科幻片
主演：沃爾特·皮金 安妮·弗朗西絲 萊斯利·尼爾森 沃倫·斯蒂文斯 杰克·凱
導(dǎo)演：弗雷德·威爾科克斯
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：本片是五十年代最著名的科幻片之一，講述在2200年，太空人登錄一個(gè)星球，發(fā)現(xiàn)那里只有劫后余生的醫(yī)生和他的女兒。當(dāng)他們計(jì)劃把兩個(gè)人帶回地球時(shí)，卻被神秘的怪物攻擊，于是他們?yōu)榱松媾c怪獸進(jìn)行了一場(chǎng)殊死的搏殺。導(dǎo)演弗雷德 M. 威爾科克斯制造出復(fù)雜玄妙的未來(lái)世界，比轟動(dòng)一時(shí)的《星球大戰(zhàn)》早先了二十年
備注：已完結(jié)
類(lèi)型：劇情片
主演：琳登·史密斯 艾比·科布 肖恩·法瑞斯 GriffinMorgan R
導(dǎo)演：邁克爾·費(fèi)法
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：一對(duì)年輕夫婦米拉（艾比科布飾）和托德（肖恩法瑞斯飾）聘請(qǐng)了一名住家護(hù)士（林登史密斯飾）來(lái)照顧他們生病的兒子，卻發(fā)現(xiàn)她是一個(gè)“死亡天使”，打算通過(guò) 任何必要的手段。
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Thom Mathews Renée Jones David Kage
導(dǎo)演：湯姆·麥克洛克林
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：被杰森殺害了雙親的湯米（湯姆·馬修斯 Thom Mathews 飾）在一個(gè)雨夜，與好友來(lái)到墓地，他們將杰森的墳?zāi)勾蜷_(kāi)，試圖燒毀尸體泄憤，突然天降閃電擊中杰森的尸體，在湯米驚異的眼光中，殺人狂杰森居然復(fù)活了！大驚失色的湯米向當(dāng)?shù)氐募永锼固介L(zhǎng)（David Kagen 飾）求援，但后者認(rèn)為杰森已成歷史，湯米的表現(xiàn)不過(guò)是精神病的后遺影響。在這個(gè)黑色星期五的夜里，杰森回到水晶湖營(yíng)地——如今這里已經(jīng)改名為綠森林，似乎是為了把那些恐怖的往事遺忘——對(duì)來(lái)這里參加露營(yíng)的人們以及營(yíng)地輔導(dǎo)員們大開(kāi)殺戒，加里斯探長(zhǎng)認(rèn)為兇手是已經(jīng)走火入魔的湯米，而此時(shí)此刻，湯米在加里斯女兒梅根（Jennifer Cooke 飾）協(xié)助下，試圖將杰森再次送回地獄……
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Isabel Nesti Ed Keates Florence Har
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：女星瑞德曾經(jīng)紅極一時(shí)，隨著年齡增長(zhǎng)，她的演藝事業(yè)開(kāi)始走下坡，經(jīng)紀(jì)人昆頓也把全部心力集中在照顧更年輕、更當(dāng)紅的潘妮洛普身上。瑞德決定走險(xiǎn)招賭一把，她把電視主持人及攝影師找來(lái)，答應(yīng)給他們一則獨(dú)家新聞，當(dāng)採(cǎi)訪開(kāi)始時(shí)，瑞德拋出一枚震撼彈，她將一把沾滿鮮血的兇刀放在桌上，不僅承認(rèn)刀子上的血跡正是女星潘妮洛普所有，更表明警方已經(jīng)在趕來(lái)的路上。這一切究竟是怎麼一回事？是瑞德出於忌妒殺了潘妮洛普，還是兇手另有其人？
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Marshall Thompson Shirley Patterson
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
備注：已完結(jié)
類(lèi)型：恐怖片
主演：LucioFulci DavidL.Thompson Jeoffrey
導(dǎo)演：LucioFulci
語(yǔ)言：意大利語(yǔ)
年代：未知
簡(jiǎn)介：居住在意大利的盧西奧·弗爾茲（盧西奧·弗爾茲飾，也是本片導(dǎo)演兼編?。┠X子時(shí)常會(huì)有謀殺案的場(chǎng)景出現(xiàn)，于是他邊去拜訪了一位心理醫(yī)生（大衛(wèi)·L·湯普森飾），兩人一起尋找答案，結(jié)果卻發(fā)現(xiàn)事情遠(yuǎn)遠(yuǎn)不是如他們所想的那么簡(jiǎn)單……
備注：已完結(jié)
類(lèi)型：恐怖片
主演：安東尼·博金斯 阿諾爾多·弗阿 杰斯·哈恩 比利·卡恩斯 瑪?shù)铝漳帷ち_
導(dǎo)演：奧遜·威爾斯
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：改編自卡夫卡的存在主義小說(shuō)，以《觸目驚心》(1960)成名的安東尼．柏堅(jiān)斯飾演異境人物「K」，一朝醒來(lái)便發(fā)覺(jué)警察在旁，說(shuō)他要接受審判，但無(wú)人告訴他干犯何罪。為了表示清白，K試圖挑戰(zhàn)司法制度，但悲劇人物始終逃不過(guò)卡夫卡式幽閉夢(mèng)魘。影片卡士龐大，威爾斯依舊粉墨登場(chǎng)，還有法國(guó) 大美人珍．摩露，負(fù)責(zé)拍攝的是布紐爾的御用攝影師。影片以黑白菲林呈現(xiàn)超現(xiàn)實(shí)的封閉時(shí)空，威爾斯在影像實(shí)驗(yàn)中繼續(xù)瀟灑前行，從龐大的布景和眾多的群眾演員中，說(shuō)明了他如何精心籌劃出電影的無(wú)邊國(guó)度。威爾斯自言這是他的最佳電影。
