溫馨提示：歡迎訪問
請記住網(wǎng)址：irvingpettraining.com，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費(fèi)提供在線觀看電影和電視劇服務(wù)。
備注：已完結(jié)
類型：恐怖片
主演：Patitta 杰狄.塞緹坦斯緹.利姆卡斯迪德簡 Thiti
導(dǎo)演：Rapeepimol
語言：泰語
年代：未知
簡介：陰云密布的一天，身著美麗婚紗的新娘小薇（Setsit Limkasitdej 飾）留下遺書后，步步踏上公寓樓頂，縱身躍下。此前經(jīng)大學(xué)好友朋友阿朗介紹，小薇結(jié)識了某大型企業(yè)白領(lǐng)精英阿光?？∧徐n女，你儂我儂，熱切期盼走入婚姻殿堂的小薇，卻意外從阿朗口中得知未婚夫車禍身亡的噩耗。新娘的鮮血染紅白色婚紗，而背后隱藏的秘密以及新娘深深的怨念又使得她住過的1616公寓成為令人聞風(fēng)喪膽的兇宅。 影片由《外賣員》《新房客》《朋友》《愛人》《傭人》《母親》《新郎》《老兵》《老探員》等九個(gè)短篇組成，通過對小薇自殺前后日子以及相關(guān)人員的片段呈現(xiàn)，揭示了一個(gè)美麗而薄命女子的短暫一生……?豆瓣
備注：已完結(jié)
類型：劇情片
主演：瑪利亞·加布里埃拉·法里亞 約瑟夫·馬塞爾 RaquelRojas 維
導(dǎo)演：AlejandroHidalgo
語言：英語
年代：未知
簡介：故事講述彼得·威廉姆斯神父的他被一個(gè)他試圖驅(qū)除的惡魔附身，最終犯下了最可怕的褻瀆罪，18年后，他的罪的后果將再次困擾他，展開與內(nèi)心邪惡最偉大的斗爭。
備注：已完結(jié)
類型：恐怖片
主演：杰伊·埃爾南德斯 德里克·理查德森 提托耳·古德喬森 芭芭拉·尼德爾加
導(dǎo)演：伊萊·羅斯
語言：英語
年代：未知
簡介：帕克斯頓（杰伊·赫爾南德茲 Jay Hernandez飾）和喬什（德里克·理查德森 Derek Richardson飾）是大學(xué)同窗好友，二人為了擺脫枯燥的校園生活，決定前往東歐進(jìn)行一次刺激的旅行。兩人于是當(dāng)起了背包族，還遇上了同道中人奧利（艾瑟·古莊森Eythor Gudjonsson飾）結(jié)伴同行，尋歡作樂?！ ÷牭剿孤宸タ擞幸粋€(gè)小鎮(zhèn)，是個(gè)香艷的天堂，美女秀色可餐，幾個(gè)年輕人就糊里糊涂踏上了火車，來到這個(gè)想象中的樂園。在這里，美女讓他們一夜銷魂，然而可怕的事情卻接二連三。他們將會(huì)發(fā)現(xiàn)，此處并不是他們的游樂場，而是一個(gè)難逃生天的地獄。奧利的失蹤，更讓膽小的喬什意識到，恐怖的事件拉開帷幕了。
備注：已完結(jié)
類型：恐怖片
主演：約翰·庫薩克 凱文·史派西 杰克·湯普森 艾爾瑪·霍爾 裘德·洛 艾莉
導(dǎo)演：克林特·伊斯特伍德
語言：英語
年代：未知
簡介：這部文藝電影透露著濃濃的美國南方歷史風(fēng)味。富豪吉姆（凱文?斯帕西飾）舉辦了一個(gè)盛大的圣誕派對，然而在這個(gè)熱鬧派對的午夜，卻發(fā)生了一場命案。所有的矛頭都指向了吉姆，吉姆委托當(dāng)晚到場的記者約翰（約翰?庫薩克飾）搜集證據(jù)幫助自己，在約翰的求證過程中，卻發(fā)現(xiàn)了被害者和主人吉姆之間的秘密關(guān)系，當(dāng)搜證繼續(xù)進(jìn)行，吉姆自己卻曝出了一個(gè)內(nèi)幕，使得案件繼續(xù)陷入迷霧。在這個(gè)南方小鎮(zhèn)的午夜，究竟隱藏著怎樣的善與惡，愛與恨，怎樣的人性與陰謀？
備注：已完結(jié)
類型：恐怖片
主演：布瑞亞·格蘭特 娜嘉拉·湯森德 Laura Kirk Kyle Ame
導(dǎo)演：吉爾·格瓦吉茲安
語言：英語
年代：未知
簡介：每個(gè)人都夢想成為另一個(gè)人……但對Claire（娜亞拉唐珊德Najarra Townsend 飾）來說，這個(gè)夢想從癡迷變成一場惡夢。白天是發(fā)型師，晚上是連環(huán)殺手兼頭皮收藏家。當(dāng)?？蚈livia（布瑞亞格蘭特BreaGran t飾）聘請Claire擔(dān)任她婚禮當(dāng)天的發(fā)型師，寂寞的Claire的生活開始陷入混亂。癡迷于Olivia看似完美無缺的生活，Claire誓言要金盆洗手，改邪歸正。卻發(fā)現(xiàn)壓抑自己的欲望說起來容易，做起來可沒那么簡單……。
備注：已完結(jié)
類型：恐怖片
主演：Margit Evelyn Newton 佛朗哥·加羅法洛 Selan
導(dǎo)演：Bruno Mattei Claudio Fragasso
語言：其它
年代：未知
簡介：在新幾那亞有一個(gè)島上，因?yàn)榛瘜W(xué)工廠實(shí)驗(yàn)的關(guān)係，造成廠內(nèi)死老鼠復(fù)活，并在咬傷工作人員后，造成該實(shí)驗(yàn)大樓變成僵尸橫行。4個(gè)SWAT隊(duì)員，集體到新幾內(nèi)亞調(diào)查案發(fā)經(jīng)過，到一個(gè)小鎮(zhèn)后，碰到一群採訪事故原因的記者，結(jié)果他們當(dāng)中，有一個(gè)小孩被殭尸咬了一口，小孩在車上躺在他父親懷裡休息時(shí)，有人開車門發(fā)現(xiàn)，小孩已變成僵尸，正在吃他父親內(nèi)臟；在教堂內(nèi)，也發(fā)現(xiàn)神父已變僵尸；他們到達(dá)當(dāng)?shù)赝林柯鋾r(shí)，也發(fā)生僵尸吃土著的事件。經(jīng)過一連串的逃命后，最后他們來到那棟實(shí)驗(yàn)大樓，終于發(fā)現(xiàn)是實(shí)驗(yàn)事故毒氣外洩結(jié)果導(dǎo)造成僵尸，最后當(dāng)然是包括男女主角在內(nèi)都未能倖免于難。 本片導(dǎo)演Bruno Mattei在幕后花絮中說，本片參雜了《Dawn of the Dead》的一些影子，比方殭尸出現(xiàn)時(shí)總是一大群，還有要打頭才會(huì)死。場景主要是在叢林與部落跟工廠。本片中一開頭即說明造成殭尸的原因。另外本片雖然場景是在新幾內(nèi)亞，但一看就知道部份是合成的。應(yīng)該是在歐洲拍攝的。還有這位導(dǎo)演原來還導(dǎo)了Rats(1984)以及參與Zombi3約40%的制作。本片血腥度十足，雖然現(xiàn)在看起來會(huì)覺得有點(diǎn)假，但在現(xiàn)在看時(shí)還是會(huì)覺得十分過癮。喜歡殭尸片又帶點(diǎn)腥膻色的人，可以考慮一看。 ======================================================== 一場意外發(fā)生于位在新幾內(nèi)亞叢林裡的一座化學(xué)工廠，外洩的化學(xué)毒物導(dǎo)致死尸復(fù)活，復(fù)活的死尸群起攻擊叢林裡的原始部落居民。一組記者巧遇另一組武裝特勤部隊(duì)，兩隊(duì)人馬在叢林中與遭遇部落民族，并于設(shè)法于僵尸群中逃出生路。 超惡搞的片子，列舉數(shù)個(gè)惡搞例子： 制作群不知從何搞來近似國家地理頻道紀(jì)錄片片段，新幾內(nèi)亞叢林裡的野生動(dòng)物與原始部落生活就這麼活生生又突兀地剪輯入這部殭尸電影。一群特勤人員其實(shí)只是開著吉普車在西班牙鄉(xiāng)間小徑游蕩，只因剪接許多野生動(dòng)物紀(jì)錄片入戲，感覺好像身處新幾內(nèi)亞叢林。不過，其實(shí)剪接得挺粗糙地。 整組人馬路過一叢林部落，女主角一臉正經(jīng)得跳出來說：”部落民族生性危險(xiǎn)而不可測，姐姐有經(jīng)驗(yàn)，要安全通過只有一個(gè)方法，我必須走在前面，單獨(dú)地在前面…”。接著，冷不防，他就毫不遲疑的脫下上衣，露出美麗雙峰。又接著，看到姐姐臉畫成土著迷彩，只穿著樹葉比基尼，又走又跳地引領(lǐng)整組人馬通過部落。從沒看過如此徹底的為脫而脫，真是夠無厘頭。 某特勤隊(duì)員在一叢林小屋中穿起芭雷舞衣，跳了一段模仿Gene Kelly的Singing in the Rain，接著旋即變成殭尸攻擊的受害者。 號稱是史上大濫片之一。完成拍攝只費(fèi)時(shí)5週。 其實(shí)： 是不錯(cuò)看的電影，該有的殭尸電影元素全具備，舉凡：殭尸小孩啃老爸，殭尸群分食受害人，受害伙伴回生加害同行伙伴，欲消滅殭尸必?fù)魵ь^部…等等，一應(yīng)俱全。 最血腥的一段昰： 女主角受害時(shí)，特寫全在臉上，舌頭先被殭尸群拔出，接著手在嘴裡往上猛掏，掏得兩顆眼珠爆出，夠血腥。 后記： 名人導(dǎo)演Quentin Tarantino 在某處發(fā)表欣賞此片的談話，重新引發(fā)世人對此陳年舊片的注意。而此片導(dǎo)演Bruno Mattei，自己承認(rèn)已有多年未再看過這電影，只得重新翻出片子再次恢復(fù)記憶，才能體會(huì)為何昆汀塔倫提諾會(huì)喜愛此片。 此片導(dǎo)演Bruno Mattei的另一名作是1984年的《Rats Night of Terror》。
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語言：英語
年代：未知
簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
