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備注：已完結(jié)
類型：科幻片
主演：Lane Townsend 阿蘭·皮特魯塞澤維斯基 Jennifer
語言：英語
年代：未知
簡(jiǎn)介：In the distant future, a large portion of humanity lives on Mars, in cities that resemble those once found on Earth. The cities are protected from the inhospitable Martian atmosphere by dome-like force-fields. When a massive sandstorm breaks through the dome and destroys Mars New York, those in Mars Los Angeles must figure out how to stop the storm before it wipes them out next.
備注：已完結(jié)
類型：科幻片
主演：Kevin Tanski Robert Woodley Chris C
導(dǎo)演：Aleksandar Ivicic
語言：英語
年代：未知
簡(jiǎn)介：Five Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
備注：已完結(jié)
類型：科幻片
主演：費(fèi)·唐納薇 海倫·斯雷特 彼得·奧圖爾 米婭·法羅 布倫達(dá)·瓦卡羅 彼
導(dǎo)演：吉諾特·茲瓦克
語言：英語
年代：未知
簡(jiǎn)介：為了尋找失落于地球的量天儀寶珠，太空城族長扎爾塔（彼德·奧圖 Peter O'Toole 飾）派遣女超人卡拉（海倫·斯雷特 Helen Slater 飾）前往地球。此時(shí)的寶珠落到了邪惡的女巫賽琳娜（費(fèi)·唐納薇 Faye Dunaway 飾）的手中，為了炫耀這價(jià)值連城的寶 物，賽琳娜舉辦了一場(chǎng)晚會(huì)，而這就是卡拉奪回寶物的最佳時(shí)機(jī)?？ɡ呐e動(dòng)惹惱了賽琳娜，她設(shè)計(jì)將卡拉騙至恐怖城，奪走了她的力量與自由?！ 〉弥ɡ鲭U(xiǎn)，扎爾塔前來營救，卻不想命喪賽琳娜之手。悲憤的卡拉想方設(shè)法逃脫了賽琳娜的桎梏，為了給死去的扎爾塔報(bào)仇，為了奪回珠寶，為了維護(hù)世界的和平，卡拉做好了準(zhǔn)備，要與賽琳娜展殊死搏斗。
備注：已完結(jié)
類型：動(dòng)作片
主演：泰勒·克奇 淺野忠信 亞歷山大·斯卡斯加德 蕾哈娜 布魯克琳·黛克 哈
導(dǎo)演：彼得·博格
語言：英語
年代：未知
簡(jiǎn)介：NASA在2005年的時(shí)候發(fā)現(xiàn)了一個(gè)太陽系外的類地行星，并判斷其上可能存在智慧生命。為了能與外星智慧生物接觸，NASA啟動(dòng)“燈塔計(jì)劃”，在夏威夷啟用深空通信陣列基地，向其發(fā)射高功率信號(hào)進(jìn)行試探。幾年后，外星飛船不期而至。身處夏威夷的太平洋聯(lián)合海軍演習(xí)艦隊(duì)受命進(jìn)行接觸。男主角海軍中尉阿歷克斯（泰勒·克奇 Taylor Kitsch 飾）所在的導(dǎo)彈驅(qū)逐艦及其他兩艘軍艦被作為偵查小隊(duì)，受命接觸外星艦船。卻因此受到攻擊，損失慘重。由于外星艦船展開的護(hù)盾原因，聯(lián)合艦隊(duì)的其他艦船無法實(shí)施支援，完全只能靠自己苦苦支撐。最后，三艘現(xiàn)代艦船被全部摧毀。由于無船可用，但是又必須摧毀被外星人占領(lǐng)的通訊站，只能啟用被改為海上博物館的密蘇里號(hào)戰(zhàn)列艦進(jìn)行最后的攻擊。二戰(zhàn)時(shí)期的王牌戰(zhàn)列艦對(duì)陣外星高科技艦船，誰能勝出？地球的命運(yùn)到底如何？
備注：已完結(jié)
類型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
語言：其它
年代：未知
簡(jiǎn)介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
