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備注：已完結(jié)
類型：劇情片
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min
導(dǎo)演：尹龍奎
語(yǔ)言：韓語(yǔ)
年代：未知
簡(jiǎn)介：Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
備注：已完結(jié)
類型：喜劇片
主演：Vasili Merkuryev Boris Chirkov Alek
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：契若夫（鮑里斯·奇爾闊夫 Boris Chirkov 飾）、拉賓（亞歷山大·巴希羅夫 Aleksandr Bashirov 飾）和涅斯特拉托夫（瓦西里·梅爾庫(kù)里耶夫 Vasili Merkuryev 飾）是青梅竹馬的玩伴，三人之間感情非常的要好。長(zhǎng)大成人之后，三人走上了不同的道路，契若夫成為了著名的外科醫(yī)生，拉賓成為了畜牧業(yè)專家，而涅斯特拉托夫是三人里最有出息的一個(gè)，成為了建筑事業(yè)管理局的領(lǐng)導(dǎo)?！ ∑跞舴蚝屠e一直想要完成他們童年時(shí)代許下的心愿——沿著河流旅行，他們好不容易才聯(lián)系上了高高在上的涅斯特拉托夫，可當(dāng)兩人將涅斯特拉托夫帶到他們的載具——一張看起來(lái)隨時(shí)都會(huì)散架的木筏前時(shí)，涅斯特拉托夫震驚了！
備注：已完結(jié)
類型：喜劇片
主演：Yevgeni Yevstigneyev Aleksandr Pank
導(dǎo)演：Karen Shakhnazarov
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：格羅夫（亞歷山大·潘克拉托夫 Aleksandr Pankratov 飾）是50年代風(fēng)靡一時(shí)的踢踏舞皇帝，如今的他早已經(jīng)走下了舞臺(tái)，走向幕后，在當(dāng)?shù)氐母栉鑸F(tuán)做藝術(shù)指導(dǎo)的工作。青年工人阿爾卡基（彼得·謝爾巴科夫 Pyotr Shcherbakov 飾）對(duì)踢踏舞非常的感興趣，他想拜格羅夫?yàn)閹?，然而，格羅夫卻覺(jué)得這個(gè)小伙子并沒(méi)有什么舞蹈天賦，對(duì)他避之不及?！ ∫惶?，格羅夫在電視上看到了自己當(dāng)年熱舞的畫(huà)面，哪知道主持人竟然說(shuō)他已經(jīng)辭世了。這件事情的發(fā)生讓格羅夫開(kāi)始想要將踢踏舞重新展現(xiàn)在觀眾們的面前，他將舞蹈編排成為了節(jié)目，并且找來(lái)了阿爾卡基作為演員。
備注：已完結(jié)
類型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演：謝爾蓋·愛(ài)森斯坦 格里高利·亞歷山德羅夫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
備注：已完結(jié)
類型：劇情片
主演：Piroska Molnár László Gyémánt Andrá
導(dǎo)演：楊諾·薩斯
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一座被外國(guó)軍隊(duì)占領(lǐng)的城市，由于糧食短缺，人民生活艱難困苦，一位年輕婦女只好帶著雙胞胎兒子們投靠住在鄉(xiāng)間的母親。這位“外婆”不僅不識(shí)字、骯臟、吝嗇、兇惡，甚至是一名兇手。兩兄弟在艱困的環(huán)境中成長(zhǎng)，為了讓自己變得堅(jiān)強(qiáng)，兩人每日以互相打罵對(duì)方、絕食等各種方式鍛煉生存本領(lǐng)。他們將每天發(fā)生的事情仔細(xì)記載在一本大筆記本中。隨著日記一頁(yè)頁(yè)被翻開(kāi)，一場(chǎng)冷酷的夢(mèng)魘式寓言也逐步呈現(xiàn)。
備注：已完結(jié)
類型：劇情片
主演：路易斯·帕特里奇 喬莉·理查德森 瓦妮莎·雷德格雷夫 伊恩·格雷 朱利
導(dǎo)演：LiviaDePaolis
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：艾倫·伯斯汀、艾瑪·湯普森將出演奇幻新片[迷失的女人](The Lost Girls，暫譯)。本片改編自J·M·巴利的小說(shuō)，瓦萊里奧·德·鮑里斯將自編自導(dǎo)自演這部電影。湯普森的女兒Gaia Wise也將出演本片。故事將講述四代可愛(ài)的女性在與彼得·潘在夢(mèng)幻島的冒險(xiǎn)經(jīng)歷后的掙扎，將聚焦溫迪(德·鮑里斯飾)在與潘的奇幻之旅后，如何努力保持自己的創(chuàng)作精神。就像她的祖母(伯斯汀飾)和母親簡(jiǎn)(湯普森飾)一樣，溫迪必須擺脫潘對(duì)她的控制，以及潘拼命想讓她信守的承諾。當(dāng)她的女兒貝瑞(Wise飾)進(jìn)入潘的勢(shì)力范圍，溫迪必須戰(zhàn)斗，以挽救她與她的女兒的關(guān)系。
備注：已完結(jié)
類型：劇情片
主演：Grigoriy Dobrygin Sergei Puskepalis
導(dǎo)演：阿列克謝·普斯科帕里斯基
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一老一少兩個(gè)在北極冰原上駐站的氣象學(xué)家除了要面對(duì)令人凍僵的天氣還要學(xué)著處理一樣僵持的關(guān)系，這樣一個(gè)現(xiàn)代版的傳奇故事發(fā)生在一個(gè)坐落在北極Chukotka島的氣象站，那是俄羅斯幾乎最北靠東部的一個(gè)自治區(qū)。即使是在夏季島上的唯一兩個(gè)臨時(shí)居民——在這里呆了很久的技術(shù)人員Sergei (Sergei Puskepalis飾演, 他還是演過(guò)阿列克謝-普斯科帕里斯基上部片子Simple Things), 和一個(gè)從大學(xué)來(lái)的新人 Pavel (新人 Grigory Dobrygin) –當(dāng)他們外出讀取儀表數(shù)據(jù)的時(shí)候仍然需要穿很多衣服。他們唯一與現(xiàn)代文明的聯(lián)系就是一臺(tái)用來(lái)回報(bào)數(shù)據(jù)的雙向無(wú)線電?！ 蓚€(gè)人的關(guān)系發(fā)生著什么樣的微妙變化，在這個(gè)一年四季白雪皚皚的地方……
備注：已完結(jié)
類型：劇情片
主演：MHD DarrenMuselet 愛(ài)伊莎·瑪依卡 加里·勒斯培 Yo
導(dǎo)演：儒利安·阿夫拉姆
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：因?yàn)樗氡Ｗo(hù)他的小弟弟不受父親的暴虐，泰迪，一個(gè)沒(méi)有歷史的年輕人，被指控謀殺了他的父親，并被送到一個(gè)封閉殘酷的教育中心，等待他的審判。然后他陷入一個(gè)殘酷的宇宙，他不知道規(guī)則。 為了生存，這名少年得學(xué)習(xí)應(yīng)對(duì)艱難的新現(xiàn)實(shí)，并與出乎意料 的人結(jié)盟。
