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備注：已完結(jié)
類型：劇情片
主演：桑德琳娜·基貝蘭 卡西·莫泰·克萊恩 柯朗坦·菲拉 亞歷謝斯·羅萊特
導(dǎo)演：安德烈·泰希內(nèi)
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：十七歲的達(dá)米安（卡西·莫泰·克萊恩 Kacey Mottet Klein 飾）是一名孤獨(dú)的少年，他的父親內(nèi)森（亞歷謝斯·羅萊特 Alexis Loret 飾）由于工作的原因常年不在家，父子兩人聚少離多。達(dá)米安自小和母親瑪麗安（桑德利那·吉貝爾蘭 Sandrine Kiberlain 飾）過(guò)著相依為命的生活，個(gè)性難免變得怯懦而陰柔，為此遭到了不少的欺凌和嘲笑?！ ∧橙?，達(dá)米安結(jié)識(shí)了一位名叫托馬斯（科倫汀·菲拉 Corentin Fila 飾）的少年，兩人剛一見(jiàn)面就相互看不順眼，勢(shì)同水火?？墒?，讓達(dá)米安沒(méi)有想到的是，母親竟然收養(yǎng)了無(wú)人照顧的托馬斯，兩人竟成為了住在同一屋檐下的兄弟。隨著時(shí)間的推移，達(dá)米安和托馬斯，兩顆孤寂的靈魂之間產(chǎn)生了特殊的羈絆。
備注：已完結(jié)
類型：劇情片
主演：拉多萬(wàn)·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗婭·瓦薩約娃 威廉·波洛尼
導(dǎo)演：愛(ài)德華·格萊納
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：與Stefan Uher和Elo Havatta一樣，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一周七天》（1964）《尼絨月亮》（1965）和這部《徳拉克的回歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨(dú)特帶有明顯意識(shí)流風(fēng)格的黑白影片甚至間接影響到了后來(lái)法國(guó)導(dǎo)演格里耶在捷克拍攝的兩部影片《說(shuō)謊的人》和《Eden and After》?！ special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
備注：已完結(jié)
類型：劇情片
主演：阿福坦迪爾·馬哈拉澤 伊雅·尼尼澤 Zeinab Botsvadze
導(dǎo)演：欽吉茲·阿布拉澤
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：在瓦爾拉姆·阿拉維澤下葬的第二天，他的尸體被人掘起來(lái)放在他家的窗前。挖墓的是一個(gè)女人，她在法庭上的供詞和回憶使人們重新回到獨(dú)裁者阿拉維澤殘暴肆虐的年代。他將不計(jì)其數(shù)的無(wú)辜者冠以“人民公敵”的罪名投入監(jiān)獄。阿拉維澤的兒子最后幡然省悟，親自將父親的尸體從山崖丟下了大河……本片中他使用令人驚嘆的造型手段，以詩(shī)意的語(yǔ)言講述了一個(gè)關(guān)于罪惡與懲罰、懺悔與醒悟的故事。本片是阿布拉澤三部曲的第三部，前兩部風(fēng)別為《愿望樹(shù)》和《祈求》， 《悔悟》被認(rèn)為是蘇聯(lián)電影改革的“第一只春燕”。 40屆戛納電影節(jié)評(píng)委會(huì)大獎(jiǎng)（1987年）
備注：已完結(jié)
類型：喜劇片
主演：Shahid Kapur Kareena Kapoor Pavan M
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一次偶然中，艾迪特（沙希德·卡潑爾 Shahid Kapoor 飾）在火車上遇見(jiàn)了名為吉特（卡琳娜·卡普 Kareena Kapoor 飾）的女子，通過(guò)交談，艾迪特得知吉特有一個(gè)相戀已久的男友安舒曼（Tarun Arora 飾），于是幫助吉特離家出走，去和安舒曼雙宿雙飛，而自己也回到了家中，承擔(dān)起了家族企業(yè)那沉重的負(fù)擔(dān)。時(shí)間流逝，艾迪特的心中一直沒(méi)有忘卻勇敢堅(jiān)強(qiáng)的吉特?！ ≈钡郊氐募胰苏业桨咸刂畷r(shí)，他才知道，吉特并沒(méi)有能夠和安舒曼在一起，他去找安舒曼，卻發(fā)現(xiàn)此人是一個(gè)薄情寡義的混蛋，他對(duì)吉特避而不見(jiàn)，無(wú)處可去的吉特只能暫時(shí)在修道院中寄宿。艾迪特找到了吉特，說(shuō)服她回到家人身邊，然而，就在吉特答應(yīng)之時(shí)，安舒曼卻改變了態(tài)度，忽然出現(xiàn)在了吉特的眼前。
備注：已完結(jié)
類型：劇情片
主演：雷·溫斯頓 本·金斯利 伊恩·麥柯肖恩 阿曼達(dá)·雷德曼 詹姆斯·?？怂?/a>
導(dǎo)演：喬納森·格雷澤
語(yǔ)言：英語(yǔ) / 西班牙語(yǔ)
年代：未知
簡(jiǎn)介：蓋爾（雷·溫斯頓 Ray Winstone 飾）曾是一名在“職場(chǎng)”上叱咤風(fēng)云的大盜，如今，早已遠(yuǎn)離了江湖的他和妻子迪迪（阿曼達(dá)·萊德曼 Amanda Redman 飾）在一幢山間別墅內(nèi)過(guò)著閑適愜意的生活，在好友艾奇（Cavan Kendall 飾）和杰克（Julianne White 飾）的陪伴下，蓋爾覺(jué)得當(dāng)初的金盆洗手是一個(gè)正確的決定。
備注：已完結(jié)
類型：劇情片
主演：Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演：謝爾蓋·愛(ài)森斯坦 格里高利·亞歷山德羅夫
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
備注：已完結(jié)
類型：劇情片
主演：Thomas Ryckewaert 耶爾卡·范·侯登 約翰·雷森 Ma
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：本和女友婷卡以及他們年幼的女兒辛迪住在荷蘭的鄉(xiāng)村。本在游樂(lè)場(chǎng)里與他人起了爭(zhēng)執(zhí)，醉酒開(kāi)車回家時(shí)發(fā)生了車禍，女友不幸喪生，本也因此被捕入獄。當(dāng)他出獄回到家時(shí)，婷卡的父親拒絕讓他見(jiàn)辛迪，而辛迪也因許久未見(jiàn)本而不能辨認(rèn)出自己的爸爸。婷卡的姐姐黛比一直試圖緩解父女倆尷尬的關(guān)系，本最終也如愿得到和女兒獨(dú)處的機(jī)會(huì)，并悄悄帶著女兒離開(kāi)了。
備注：已完結(jié)
類型：劇情片
主演：Satyadev Kancharana V.K. Naresh Suh
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Mahesh, a photographer, gets beaten up by a stranger when he tries to solve an issue in his village. He sets out to take revenge on the stranger as he feels insulted after the incident.
