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備注：已完結(jié)
類型：劇情片
主演：貝利·赫維內(nèi)加拉德 馬克斯·馮·敘多夫 埃里克·帕斯卡 比約恩·格拉納
導(dǎo)演：比利·奧古斯特
語言：丹麥語 / 瑞典語
年代：未知
簡(jiǎn)介：故事發(fā)生在十九世紀(jì)末北歐，混亂的局勢(shì)衰頹的經(jīng)濟(jì)令人民們陷入了民不聊生的境地。農(nóng)民拉斯卡森（馬克斯·馮·西多 Max von Sydow 飾）帶著兒子佩爾（貝利·赫維內(nèi)加拉德 Pelle Hvenegaard 飾）來到丹麥，希望能夠在這里依靠自己的雙手掙得更體面的生活?！ ∪欢F(xiàn)實(shí)卻遠(yuǎn)不如想象中那么美好，父子兩人好不容易在農(nóng)莊里找到了一份清理馬廄的工作，無處可去的兩人只能和馬只一起睡在茅草堆上，白日里還要受到雇主的責(zé)難和剝削，生活苦不堪言。長(zhǎng)工埃里克（比約恩·格拉納特 Bj?rn Granath 飾）積極的領(lǐng)導(dǎo)工人們同壓迫他們的管家作斗爭(zhēng)，埃里克的自由精神深深鼓舞了佩爾，使他決定離開莊園，開拓新的天地。
備注：已完結(jié)
類型：劇情片
主演：謝苗·塞爾津 丘爾潘·哈馬托娃 尤利婭·別列希爾德 尤里·科洛科利尼科
導(dǎo)演：基里爾·謝列布連尼科夫
語言：俄語
年代：未知
簡(jiǎn)介：《夢(mèng)流感》是以《夏》技驚四座的俄羅斯名導(dǎo)基里爾賽勒布倫尼科夫的最新作品，當(dāng)年因支持同志舞臺(tái)劇遭政府軟禁，重獲自由后，創(chuàng)作火力全開。影片以后蘇聯(lián)時(shí)期為背景，疑似染上流感的男主角在返家路上，遭古怪大叔和求死作家不斷耽擱，在阿司匹林與伏特加的交互作用下，逐漸迷離的意識(shí)，竟遁入自己創(chuàng)作的漫畫幻夢(mèng)里。導(dǎo)演借古諷今的招牌技法、流暢跳躍的花式轉(zhuǎn)場(chǎng)與交疊夢(mèng)境，創(chuàng)意直逼《王牌冤家》金牌編劇查理考夫曼與日本動(dòng)畫宗師今敏，令人大呼過癮。
備注：已完結(jié)
類型：喜劇片
主演：Laura Bell Bundy Christian Borle Or
導(dǎo)演：未知
語言：英語
年代：未知
簡(jiǎn)介：Perennially perky Elle Woods is a girl who loves to be pampered and shop for the latest all-pink outfits (and matching handbags, of course). But don't let this seemingly ditsy fashionista fool you, this sorority sister is smarter than she seems and doesn't take "no" for an answer. So when her boyfriend dumps her moxia.cc for someone "more serious," Elle sets out to win him back...
備注：已完結(jié)
類型：劇情片
主演：拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗婭·瓦薩約娃 威廉·波洛尼
導(dǎo)演：愛德華·格萊納
語言：其它
年代：未知
簡(jiǎn)介：與Stefan Uher和Elo Havatta一樣，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一周七天》（1964）《尼絨月亮》（1965）和這部《徳拉克的回歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨(dú)特帶有明顯意識(shí)流風(fēng)格的黑白影片甚至間接影響到了后來法國(guó)導(dǎo)演格里耶在捷克拍攝的兩部影片《說謊的人》和《Eden and After》?！ special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
備注：已完結(jié)
類型：劇情片
主演：埃迪·康斯坦丁 漢斯·齊施勒 克勞迪亞·米歇爾森 Nathalie K
導(dǎo)演：讓-呂克·戈達(dá)爾
語言：法語
年代：未知
簡(jiǎn)介：Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
備注：已完結(jié)
類型：喜劇片
主演：德米特里·哈拉季揚(yáng) Dmitri Kharatyan 安德烈·米亞赫科
語言：其它
年代：未知
簡(jiǎn)介：The presidents of two superpowers, the Soviet Union and the United States, are expected to meet for important negotiations. However, the meeting in jeopardy due to raging of the Russian Mafia, settled in America. Mafioso Rabinovich even interfere with the conversation of top secret hotline between the presidents. So begins a comedy, in which KGB agent Fyodor Sokolov and CIA agent Mary Star expose the Artist, a head of the Mafia, feigning of various Soviet leaders.
備注：已完結(jié)
類型：劇情片
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min
導(dǎo)演：尹龍奎
語言：韓語
年代：未知
簡(jiǎn)介：Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
備注：已完結(jié)
類型：喜劇片
主演：蘇菲·瑪索 文森特·林頓 伊麗莎白·維塔利 埃琳娜·龐貝 羅貝托阿提艾
導(dǎo)演：克洛德·皮諾托
語言：法語
年代：未知
簡(jiǎn)介：女大學(xué)生凡倫黛（蘇菲·瑪索 Sophie Marceau 飾）正為了她的教師資格證而努力讀書，某天，在滑雪場(chǎng)上，凡倫黛結(jié)識(shí)了充滿了魅力的音樂家奈德（文森特·林頓 Vincent Lindon 飾），為了緩解考試帶來的緊張和壓力，凡倫黛和奈德之間發(fā)展出了一段露水情緣，兩人非常有默契的達(dá)成了共識(shí)——只動(dòng)性，不動(dòng)情。沒想到，一夜過后，凡倫黛竟然深深的迷戀上了奈德，奈德也暗暗被凡倫黛的魅力所折服。 分開后的兩人無法常常見面，只能通過電話互訴衷腸，誤會(huì)也油然而生。心高氣傲的凡倫黛一氣之下選擇了離開奈德，奈德卻無法放下對(duì)凡倫黛的愛意，陰差陽錯(cuò)之間，一對(duì)兩情相悅的戀人眼看著就要擦肩而過。
