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備注：已完結(jié)
類型：劇情片
主演：Antonio Buíl 多米尼克·珍 尤拉西納·拉爾迪
語言：其它
年代：未知
簡介：愛麗絲（尤拉西納·拉爾迪 Ursina Lardi 飾）和丈夫弗蘭克（多米尼克·楊恩 Dominique Jann 飾）一起生活已經(jīng)十八年之久了，愛麗絲本以為她一定是這個(gè)世界上最了解弗蘭克的那個(gè)人，但事實(shí)卻狠狠的給了她一個(gè)耳光，讓她開始意識(shí)到，自己或許對(duì)枕邊的這個(gè)朝夕相處的男人一無所知?！ 》N種跡象表面，弗蘭克的心思已經(jīng)不在自己的家庭里了，而是轉(zhuǎn)移到了一個(gè)名叫帕布洛（安東尼奧·布爾 Antonio Buíl 飾）的男人身上。丈夫出軌了，出軌的對(duì)象竟然還是個(gè)男人，這對(duì)愛麗絲和兩人的三個(gè)孩子們來說都是巨大的打擊。隨著時(shí)間的推移，愛麗絲漸漸意識(shí)到自己已經(jīng)再也無法挽回弗蘭克對(duì)自己的愛了，那么，她還有什么更好的選擇嗎？
備注：已完結(jié)
類型：劇情片
主演：安東尼奧·加德斯 克里斯蒂娜·霍約斯 Juan Antonio Jim
導(dǎo)演：卡洛斯·紹拉
語言：其它
年代：未知
簡介：影片改編自西班牙偉大詩人費(fèi)德里科?加西亞?洛爾卡（Federico García Lorca 飾）六幕話劇，內(nèi)戰(zhàn)期間他因支持共和政府而被弗朗哥政府殘忍殺害，叛軍當(dāng)政期間作品長期被禁。 片中的故事以弗拉明戈舞紀(jì)錄片的形式展開，通過演員的準(zhǔn)備、彩排間即間離向觀眾講述了這樣一出血腥悲?。盒禄橹?，新郎的母親心事重重，她偶然得知新娘是殺害自己丈夫的仇家的女兒，她的心中升起不祥的預(yù)感。新娘的表哥雷奧納多（Antonio Gades 飾）深愛自己的表妹，他趁亂帶著愛人私奔，得知此訊的新郎攜刀追趕，兩個(gè)男人進(jìn)行了一場血腥決斗…… 西班牙導(dǎo)演 卡洛斯?紹拉弗拉明戈電影三部曲之一，另外兩部為《卡門》和《愛情魔術(shù)師》。
備注：已完結(jié)
類型：劇情片
主演：CarolinaRaspanti StefaniaCasini Ant
導(dǎo)演：費(fèi)德里科·邦迪
語言：意大利語
年代：未知
簡介：在“麗貝卡”審判與杜·莫里爾（Du Maurier）短篇小說“鳥”的寫作之間的幾年中，包括她與丈夫弗雷德里克（Frederick）的男孩布朗寧（Frederick'boy'Browning）的關(guān)系，以及她與美國出版社（American Publishing）的妻子Ellen Doubleday和American Publishing time的癡迷 格特魯?shù)隆趥愃梗℅ertrude Lawrence）
備注：已完結(jié)
類型：劇情片
主演：德克·博加德 羅慕洛·瓦利 馬克·伯恩斯 諾拉·里奇 馬里莎·貝倫森
導(dǎo)演：盧基諾·維斯康蒂
語言：英語
年代：未知
簡介：1911年，德國作曲家阿森巴赫（德克?博加德）懷帶喪女之痛來到威尼斯，想藉水城美景舒緩心情，可是一切景致所勾起的不過是更加傷心的回憶，直到在旅館里邂逅美少年塔奇奧（伯恩?安德森），對(duì)方宛如希臘雕像般的容顏才令他渾身顫栗，渾然忘我地沉醉在激動(dòng)的熱情中。 其后，威尼斯城被瘟疫所籠罩，但官方刻意封鎖了消息。阿森巴赫逐漸發(fā)現(xiàn)這一驚人的危機(jī)時(shí)，沒像其他人一樣慌不擇路想盡快逃離，相反為了多看塔奇奧一眼，甘愿染上瘟疫命喪威尼斯。
備注：已完結(jié)
類型：劇情片
主演：皮內(nèi)洛皮·提斯麗卡 Dimitris Lalos 瑪利亞·阿里菲里 L
導(dǎo)演：珍妮絲·拉法
語言：其它
年代：未知
簡介：Kala azar describes of a place that cannot sustain animal life any longer. In a big city somewhere in the south of Europe, a couple takes care of dead animals and abandoned roadkill as an act to give meaning to their life. Kala azar is a ?meditation on the paradox of life-circles among beings of different species. A film about existence, on the boundaries between living and dead, human and non-human.
備注：已完結(jié)
類型：動(dòng)作片
主演：托馬斯·米連 約瑟夫·科頓 Maria Fiore Mario Pia
導(dǎo)演：翁貝托·倫齊
語言：其它
年代：未知
簡介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
