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備注：已完結(jié)
類型：劇情片
主演：TamaraCasellas LeireMarinVara 埃斯特法尼
導(dǎo)演：JúliadePaz
語言：西班牙語
年代：未知
簡介：圍繞佩帕和她的女兒的故事描繪了孕產(chǎn)神話，他們被趕出家門，被迫四處游蕩，尋找一個沒有支持網(wǎng)絡(luò)的住所。
備注：已完結(jié)
類型：劇情片
主演：Theodoros Katsadramis Lina Triantaf
導(dǎo)演：西奧·安哲羅普洛斯 Theodoros Angelopoulos
語言：其它
年代：未知
簡介：安哲學(xué)生時代的短片作品。
備注：已完結(jié)
類型：劇情片
主演：安德魯斯·威爾森 亨里克·倫德斯特倫 古斯塔·斯卡斯加德 琳達·齊利亞
導(dǎo)演：米凱爾·哈弗斯特羅姆
語言：其它
年代：未知
簡介：艾里克（安德魯斯·威爾森 Andreas Wilson 飾）是一個讓所有人都感到頭痛的不良少年，逃學(xué)翹課打架生事，哪個都少不了他的一份。究其原因，還要歸結(jié)到父親的家庭暴力上去。在被公力學(xué)校開除后，愛子心切的母親不得不將艾里克送入了斯特加伯格私立寄宿學(xué)校，可當艾里克來到這里后才發(fā)現(xiàn)，曾經(jīng)滿心歡喜的以為終于逃脫了家庭掌控的自己不過是從一個監(jiān)獄被轉(zhuǎn)移到了另一個監(jiān)獄罷了，高年級的學(xué)生們稱霸著校園，就連老師們也不敢越雷池半步?！ ]過多久，艾里克就和室友皮埃爾（亨里克·倫德斯多姆 Henrik Lundstr?m 飾）成為了朋友，皮埃爾溫和的性格漸漸改變了艾里克，他發(fā)誓要安安分分的念書，直到畢業(yè)?？上觳凰烊嗽福鮼碚У降陌锟撕芸炀统蔀榱诵@混混們的欺負對象，在忍辱負重和全力反抗之間，他該如何選擇？
備注：已完結(jié)
類型：劇情片
主演：Ferdinand Marian Kristina S?derbaum
導(dǎo)演：威特·哈爾蘭
語言：其它
年代：未知
簡介：In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Suess Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancee. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having carnal knowledge of a Christian woman. Summary written by Kevin Rayburn
備注：已完結(jié)
類型：劇情片
主演：西格妮·韋弗 亞倫·斯坦福 凱特·瑪拉 畢比·諾維爾什 羅伯特·伊勒
導(dǎo)演：蓋瑞·溫尼克
語言：英語
年代：未知
簡介：15歲的奧斯卡(艾倫史丹佛飾)既早熟又善體人意，他說流利法文、還勤讀伏爾泰，所有同年紀的女生都哈他，不過，他卻偏偏只甲意“老女人”。這個假期，他即將跨出他“轉(zhuǎn)大人”的第一步，誘惑他心愛的女人上勾，而這對象不是別人，正是他的小媽---伊芙(雪歌妮薇佛飾)。然而，天不從人愿，奧斯卡還沒釣到伊芙卻先煞到一群高齡欲女，伊芙的姊妹淘黛安?！ ?5歲的Oscar，聰明好學(xué)。他不滿同齡女孩的淺薄，愛上了成熟又有學(xué)問的女性——他的繼母Eve，而他的教授父親對此一無所知。他想在感恩節(jié)之夜對繼母表白，卻又難以開口，醉醺醺地跟繼母的密友Diane上了床，失了童貞。父親慈愛的關(guān)心、Diane的糾纏和Oscar對繼母的純真愛情，構(gòu)成了本片的喜劇元素。情節(jié)有些荒唐，但正象電影中Diane對Eve所說的：你還記得我們15歲的時候是如何夢想的嗎？
備注：已完結(jié)
類型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
語言：其它
年代：未知
簡介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
