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備注：已完結(jié)
類型：劇情片
主演：奧黛·英格蘭 科斯塔斯·曼迪勒 Eric Da Silva
導(dǎo)演：扎爾曼·金
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：故事發(fā)生在1939年的巴黎，女作家伊麗娜（奧黛·英格蘭 Audie England 飾）正和著名作家勞倫斯（科斯塔斯·曼迪勒 Costas Mandylor 飾）打得火熱，而就在這濃情蜜意的時(shí)刻，伊麗娜震驚的發(fā)現(xiàn)勞倫斯居然背著她四處沾花惹草，心高氣傲的伊麗娜果斷的選擇了離開(kāi)?！ ?dòng)蕩的政局帶來(lái)的是生活的困苦和拮據(jù)，在出版業(yè)極不景氣的情況下，入不敷出的伊麗娜只得做起了人體模特的職業(yè)以此謀生，雖然經(jīng)濟(jì)狀況因此有所好轉(zhuǎn)，但整體情況依然不容樂(lè)觀。就在此時(shí)，伊麗娜的經(jīng)紀(jì)人告訴她，有一個(gè)神秘的顧客想要出高價(jià)購(gòu)買她的作品，但題材必須和情欲有關(guān)。為了生存，對(duì)此題材毫無(wú)經(jīng)驗(yàn)的伊麗娜做出了決定，毅然踏上了探索靈與肉的道路。
備注：已完結(jié)
類型：劇情片
主演：Mawusi Tulani Clarissa Kiste Caroli
語(yǔ)言：葡萄牙語(yǔ)
年代：未知
簡(jiǎn)介：1899年的巴西，廢除奴隸制后不久，逝者的亡靈仍在世人間游走。對(duì)于蘇亞雷斯一家的女人們來(lái)說(shuō)，放棄特權(quán)并適應(yīng)中產(chǎn)階級(jí)生活，令她們?yōu)l臨瘋狂。對(duì)于曾經(jīng)被奴役的伊娜·納西門(mén)托來(lái)說(shuō)，在充滿敵意的新世界中與所愛(ài)之人重聚，迫使她必須面對(duì)真實(shí)的自己。在巴西陷入困境的過(guò)去和破裂的現(xiàn)在之間，這些女性一邊應(yīng)對(duì)命運(yùn)的巨變，一邊試圖創(chuàng)造著自己的未來(lái)。入圍柏林國(guó)際電影節(jié)主競(jìng)賽單元。
備注：已完結(jié)
類型：喜劇片
導(dǎo)演：Niyi Akinmolayan
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：比克羅夫特一家準(zhǔn)備花掉族長(zhǎng)老爹的所有遺產(chǎn)，但前提是他公司的首席執(zhí)行官不插手此事。
備注：已完結(jié)
類型：喜劇片
主演：朱麗葉塔·馬西納 桑德拉·米洛 馬里奧·皮蘇 瓦倫蒂娜·格特斯 瓦勒斯
導(dǎo)演：費(fèi)德里科·費(fèi)里尼
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：費(fèi)里尼拍攝了另一部自傳性很強(qiáng)的電影《朱麗葉與魔鬼》，在這部電影里，費(fèi)里尼過(guò)分追求求神秘主義的夢(mèng)境空間，在影片里極盡詳能的描述描寫(xiě)一個(gè)資產(chǎn)階級(jí)的女人遭到丈夫的欺騙，精神迷惘，陷于離奇古怪的幻覺(jué)，最后終于清醒的故事。雖然費(fèi)里尼和茱莉埃妲兩人攜手共度一生，而且費(fèi)里尼也從來(lái)沒(méi)有傳出與其他女人的誹聞，但是我想所有對(duì)費(fèi)里尼非常熟悉的影迷都不相信費(fèi)里尼從沒(méi)有出軌的行為。尤其在看了這部電影之后，因?yàn)樵谫M(fèi)里尼的電影中充分的表現(xiàn)出費(fèi)里尼是一個(gè)性欲旺盛且對(duì)女人充滿遐想的導(dǎo)演，他甚至在他的男人外遇只是把自己的性器官借給別人用一下罷了，并沒(méi)有出賣自己的靈魂?；蛘哌@正是費(fèi)里尼的迷人之處吧，他永遠(yuǎn)是神秘的，讓人無(wú)法捉摸的。
備注：已完結(jié)
類型：劇情片
主演：肖恩·康納利 洛南·布雷科 若澤·威爾克 Rodolfo De Ale
導(dǎo)演：約翰·麥克蒂爾南
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：在南美洲人跡少至的熱帶雨林深處，經(jīng)過(guò)六年的努力，生化學(xué)家羅勃肯貝爾博士，研發(fā)出一種癌癥治療法面臨一項(xiàng)重大的醫(yī)學(xué)突破。一位冷靜的女性學(xué)者當(dāng)可琳博士歷經(jīng)一段艱困的會(huì)面；這一對(duì)互相厭惡的伙伴終于產(chǎn)生了共同的尊重，而實(shí)際的愛(ài)苗也滋生于這片異國(guó)風(fēng)情的熱帶雨林中……
備注：已完結(jié)
類型：劇情片
主演：Nancy Talamantes óscar Torres Leidi
導(dǎo)演：戴維·巴勃羅斯
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：“The Chosen Ones” turns on 15-year-old, Ulises, who is being groomed by his father to enamor young girls, tricking them into prostitution. But he falls in love with Sofia, his first victim, who’s just 14. To save her, his father demands he seduces a second girl, entangling Ulises in the world of juvenile prostitution that he was trying to avoid, from which escape come at a very high price.
備注：已完結(jié)
類型：動(dòng)作片
主演：托馬斯·米連 約瑟夫·科頓 Maria Fiore Mario Pia
導(dǎo)演：翁貝托·倫齊
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
