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備注：已完結(jié)
類(lèi)型：動(dòng)作片
主演：托馬斯·米連 約瑟夫·科頓 Maria Fiore Mario Pia
導(dǎo)演：翁貝托·倫齊
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
備注：已完結(jié)
類(lèi)型：動(dòng)作片
主演：Jarrid Geduld Gail Mabalane 安德烈·雅各布
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Theo Abrams is an ex-Cape Town fireman suffering from severe Post-Traumatic Stress Disorder. Unable to return to work due to the psychological trauma sustained during a failed rescue mission, an increasingly frustrated and volatile Theo's world is rocked when one morning, he wakes up next to his wife's murdered corpse with no recollection of what transpired and all evidence suggesting that he's killed her. When the police label him as the prime suspect, Theo goes on the run, and is soon being hunted by Deputy Chief of Police, Alan Shard, a notoriously ruthless soldier of the law, who is hell-bent on catching Theo as one last act of service before he officially retires. However, when an unknown third party is thrown into the mix, Theo discovers an alarming connection between the sinister forces hunting him in an attempt to silence him permanently for a reason he can't comprehend; and a recent investigation his wife was conducting into a global armament contractor. When connecting the dots becomes a matter of life and death, Theo becomes embroiled in a desperate fight for survival and must figure out who really murdered his wife before a terrifying conspiracy changes the course of a nation forever.
備注：已完結(jié)
類(lèi)型：動(dòng)作片
主演：丁咚·丹尼斯 約翰·阿基拉 Al Tantay Janno Gibbs
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：本片是2014年爆款動(dòng)作片《走到盡頭》的菲律賓翻拍版。講述警察愛(ài)德蒙·威廉在匆忙奔喪的路上意外撞人，隨后卷入被敲詐勒索的危險(xiǎn)局面。在動(dòng)作片領(lǐng)域有專(zhuān)攻的菲律賓導(dǎo)演勞倫斯·法哈多，在本片中對(duì)節(jié)奏拿捏精準(zhǔn)，不僅故事環(huán)環(huán)相扣驚險(xiǎn)刺激，室內(nèi)打斗動(dòng)作更是迅猛凌厲，讓觀眾腎上腺素飆升。他還為影片加上了大量本土化背景，以犯罪片的形式對(duì)某些社會(huì)現(xiàn)象作出了批評(píng)。
備注：已完結(jié)
類(lèi)型：喜劇片
主演：DespinaMirou AntoniaBogdanovich Tes
導(dǎo)演：RobertMacLean
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：貝琪並不缺錢(qián)，但患有偷竊癖的她總是忍不住對(duì)他人的財(cái)物出手。她在地鐵上行竊時(shí)遇見(jiàn)美麗的鋼琴家米蘭達(dá)，並對(duì)她一見(jiàn)鍾情。在偷了一名英國(guó)警察的皮夾後，貝琪遭到追捕，與警察你追我跑的逃亡路上，卻與米蘭達(dá)越走越近。兩人日復(fù)一日的相處中，情愫逐漸萌芽，身為偷竊慣犯的她，這次被偷走的竟是自己的心...
備注：已完結(jié)
類(lèi)型：喜劇片
主演：妮可·基德曼 馬特·狄龍 華金·菲尼克斯 卡西·阿弗萊克 伊里納·道格
導(dǎo)演：格斯·范·桑特
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：天氣播報(bào)員蘇珊（尼克·基德曼 Nicole Kidman 飾）因涉嫌丈夫被害的謀殺案一時(shí)成為媒體焦點(diǎn)，數(shù)位當(dāng)事人的訪談將事件的過(guò)程逐步呈現(xiàn)…… 立志從事新聞事業(yè)的蘇珊雄心萬(wàn)丈，不顧丈夫拉利（馬特·狄龍 Matt Dillon 飾）的意大利裔家庭反對(duì)，全力進(jìn)行入行的相應(yīng)準(zhǔn)備，并最終為當(dāng)?shù)匾患覂H兩名工作人員的有線電視臺(tái)聘用，擔(dān)任“天氣女郎”。蘇珊高昂的工作熱情并未被消極的環(huán)境打退，不斷提出工作計(jì)劃，并著手深入學(xué)校的青年訪談系列節(jié)目，由此結(jié)識(shí)了詹姆斯（杰昆·菲尼克斯 Joaquin Phoenix 飾）等三位叛逆青年，詹姆斯深深迷戀蘇珊。當(dāng)蘇珊意識(shí)到丈夫正在成為她事業(yè)上的障礙時(shí)，利用詹姆斯槍殺了拉利。蘇珊自認(rèn)是最后的贏家，但情況突然急轉(zhuǎn)直下。
備注：已完結(jié)
類(lèi)型：喜劇片
主演：阿瑪雅·薩拉曼卡 Eva Ugarte María Hervás
導(dǎo)演：納喬·G·貝利利亞
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介：Juanjo, Sebas and Rayco face the stigma of alopecia and at the same time their self-esteem problems in a world that is guided by appearances.
備注：已完結(jié)
類(lèi)型：喜劇片
主演：Gloria Swanson Thomas Meighan Bebe
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：In Cecil B. DeMille’s 1920 comedy Why Change Your Wife Gloria Swanson (DeMille’s regular leading lady of this period) as Beth, a respectable and rather prim wife who discovers that husbands don’t necessarily want their wives to be respectable and moral. It’s not that he doesn’t love her; he just wants a little romance in his marriage, and when another woman comes along who offers him the excitement he craves, he inevitably strays. And divorce inevitable follows. Beth then has a sudden revelation – maybe it’s not only true that men like shameless hussies, but maybe it’s also true that shameless hussies have quite a lot of fun. So she decides to transform herself into a sexpot.
備注：已完結(jié)
類(lèi)型：喜劇片
主演：寶拉·柯特萊西 瓦萊里奧·馬斯坦德雷亞 巴巴克·卡里米 安德里亞·薩托
導(dǎo)演：朱塞佩·博尼圖
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Sara and Nicola are expecting their second son. Through the late Mattia Torre's sharp look, all the joys and sorrows of being a parent in the modern day Italy are unraveled in an absolutely brilliant and witty way.
