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備注：已完結
類型：恐怖片
主演：LucioFulci DavidL.Thompson Jeoffrey
導演：LucioFulci
語言：意大利語
年代：未知
簡介：居住在意大利的盧西奧·弗爾茲（盧西奧·弗爾茲飾，也是本片導演兼編?。┠X子時常會有謀殺案的場景出現(xiàn)，于是他邊去拜訪了一位心理醫(yī)生（大衛(wèi)·L·湯普森飾），兩人一起尋找答案，結果卻發(fā)現(xiàn)事情遠遠不是如他們所想的那么簡單……
備注：已完結
類型：恐怖片
主演：Korey Williams 塔麗亞·杰德·霍爾特 Ozzie Dev
語言：英語
年代：未知
簡介：講述一個地區(qū)受到許多神秘災難和厄運襲擊，因為未知的靈魂透過一名年輕男子來引誘人們，將他們帶向令人戰(zhàn)栗的命運。
備注：已完結
類型：恐怖片
主演：Esteban Prol Horacio Fontova Sergio
導演：Daniel de la Vega Pablo Parés
語言：其它
年代：未知
簡介：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
備注：已完結
類型：劇情片
主演：梅爾·吉布森 SamAsghari 莎儂·多赫提 邁克·韋爾奇 凱文·
導演：詹姆斯·庫倫·布雷薩克
語言：英語
年代：未知
簡介：An ex-hacker is forced to break into high-level banking institutions, another man must try to penetrate the booby trapped building to get the young man off the hot seat.
備注：已完結
類型：恐怖片
主演：Katrina Grey 仁科貴 亞矢乃 Naho Nakashima
導演：廣瀨貴士
語言：日語
年代：未知
簡介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
