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備注:已完結(jié)
類(lèi)型:劇情片
主演:Lina El Arabi Sébastien Houbani 巴巴克
導(dǎo)演:斯蒂芬·史崔克
語(yǔ)言:法語(yǔ)
年代:未知
簡(jiǎn)介:扎希拉在比利時(shí)的一個(gè)巴基斯坦家庭中長(zhǎng)大。因?yàn)橐馔鈶言?,她現(xiàn)在正坐在一位醫(yī)生的辦公室里詢(xún)問(wèn)可以打掉孩子的方法。猶豫不決的希拉決定向朋友和家人尋求幫助。雖然她的家人對(duì)她表示了理解和同情,但是卻默默幫她物色了三個(gè)遠(yuǎn)房親戚作為結(jié)婚的對(duì)象。父母讓她從中選擇一個(gè),并且覺(jué)得女兒已經(jīng)得到了自己曾經(jīng)想都不敢想的“自由”。在宗教世俗和追求自己人生的渴望中,扎希拉必須做出選擇。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Andrei Kuznetsov Lyudmila Arinina A
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:虎子是一只可愛(ài)的小奶貓,一場(chǎng)意外中,虎子從窗臺(tái)上掉了下去,落在大卡車(chē)上。幸運(yùn)的是,虎子遇見(jiàn)了一只善良的流浪貓,在流浪貓的帶領(lǐng)下,虎子來(lái)到了前馬戲團(tuán)馴獸員的家,這里,是幾十只流浪貓共同的家?! ∽≡隈Z獸員家中的貓兒們多才多藝,本領(lǐng)十分了得,其中還有一只血統(tǒng)十分高貴的波斯貓。要喂養(yǎng)這么多的貓,已經(jīng)失業(yè)的馴獸員的日子過(guò)得十分拮據(jù),可盡管如此,他依然沒(méi)有放棄貓兒們,他已經(jīng)將它們視作家人。馴獸員的運(yùn)氣越來(lái)越差,日子過(guò)得越來(lái)越落魄,甚至受傷住進(jìn)了醫(yī)院,無(wú)人照料的貓兒們自發(fā)的來(lái)到街上,憑著各自的本領(lǐng)生存了下來(lái)。馴獸員回來(lái)了,而虎子則意外的和曾經(jīng)的主人重逢。
備注:已完結(jié)
類(lèi)型:劇情片
主演:謝苗·塞爾津 丘爾潘·哈馬托娃 尤利婭·別列希爾德 尤里·科洛科利尼科
導(dǎo)演:基里爾·謝列布連尼科夫
語(yǔ)言:俄語(yǔ)
年代:未知
簡(jiǎn)介:《夢(mèng)流感》是以《夏》技驚四座的俄羅斯名導(dǎo)基里爾賽勒布倫尼科夫的最新作品,當(dāng)年因支持同志舞臺(tái)劇遭政府軟禁,重獲自由后,創(chuàng)作火力全開(kāi)。影片以后蘇聯(lián)時(shí)期為背景,疑似染上流感的男主角在返家路上,遭古怪大叔和求死作家不斷耽擱,在阿司匹林與伏特加的交互作用下,逐漸迷離的意識(shí),竟遁入自己創(chuàng)作的漫畫(huà)幻夢(mèng)里。導(dǎo)演借古諷今的招牌技法、流暢跳躍的花式轉(zhuǎn)場(chǎng)與交疊夢(mèng)境,創(chuàng)意直逼《王牌冤家》金牌編劇查理考夫曼與日本動(dòng)畫(huà)宗師今敏,令人大呼過(guò)癮。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Zoya Baranovskaya 伊戈?duì)枴た茽柾蟹蛩够?/a> Sergei
導(dǎo)演:納塔莉亞·沃羅日比特
語(yǔ)言:俄語(yǔ) / 烏克蘭語(yǔ)
年代:未知
簡(jiǎn)介:頓巴斯,烏克蘭內(nèi)戰(zhàn),一系列的黑色故事正圍繞著“路”這個(gè)意象上演。安全舒適區(qū)被擠壓得蕩然無(wú)存,也無(wú)法透過(guò)重重迷霧看透世事。當(dāng)眾生都囿于如此混亂困境,有人卻成功凌駕于他人之上。弱者不弱,若有武器在手——既然已看不到明天,就不能當(dāng)待宰的羔羊… 沉浸于戲劇和電視領(lǐng)域創(chuàng)作多年后,導(dǎo)演沃洛日比特首執(zhí)電影導(dǎo)筒,將其擅長(zhǎng)的體裁以“準(zhǔn)紀(jì)錄片”形式呈現(xiàn),用凜冽的鏡頭戲謔世間,冷眼旁觀人類(lèi)的困獸之斗。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Innokenti Smoktunovsky Antonina Shu
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:通過(guò)與貴族藝術(shù)鑒賞家娜德則達(dá)·佛羅絲卡亞的關(guān)系,展現(xiàn)俄羅斯作曲家彼得·伊里奇·柴可夫斯基的生活和工作。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Nina Ivanova Nikolai Rybnikov Vladi
導(dǎo)演:馬林·胡茨耶夫 Feliks Mironer
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:塔基亞娜(Nina Ivanova 飾)是一位非常美麗的姑娘,大學(xué)畢業(yè)之后,她決定前往工人夜校教授文學(xué)課。懷著滿(mǎn)腔教育抱負(fù)的塔基亞娜沒(méi)有想到的是,在夜校里,那些工人們根本就不把文學(xué)課當(dāng)做是一回事,學(xué)習(xí)態(tài)度非常的消極和散漫,這讓塔基亞娜非常的受打擊。然而,隨著時(shí)間的推移,塔基亞娜漸漸的在這些工人們的身上看到了吃苦耐勞的一面,對(duì)他們的看法有了大大的改觀。 工人薩沙(尼古拉·雷布尼科夫 Nikolai Rybnikov 飾)愛(ài)上了塔基亞娜,可是塔基亞娜拒絕了他,這讓薩沙陷入了抑郁的情緒中,破罐子破摔。之后,塔基亞娜在一次偶然的機(jī)會(huì)下發(fā)現(xiàn)了薩沙不為人知的一面
備注:已完結(jié)
類(lèi)型:劇情片
主演:馬里烏什·德莫霍夫斯基 貝婭塔·蒂?;S茨 菲耶夫斯基·塔德烏什 Ja
導(dǎo)演:沃伊切赫·哈斯
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)