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備注：已完結(jié)
類型：動作片
主演：斯科特·伊斯特伍德 安吉拉·薩拉弗安 尼克·齊蘭德 邁克·加薩威 凱瑟
導(dǎo)演：Charles Burmeister
語言：英語
年代：未知
簡介：Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.
備注：已完結(jié)
類型：動作片
主演：弗洛林·彼耶爾西克 馬爾加·巴爾布 Ion Marinescu Iur
導(dǎo)演：多魯·訥斯塔塞
語言：其它
年代：未知
簡介：故事發(fā)生在羅馬尼亞大革命的前夜。為了籌集資金購買武器，完成革命的最后準(zhǔn)備工作，“革命者聯(lián)盟”指示在布加勒斯特從事地下工作的巴倫西取出由施特勞保管了多年的一批財(cái)寶，把它交給一個(gè)代號叫“黃玫瑰”的同志。巴倫西接到指示后，同助手一起，幾經(jīng)周折，找到了施特勞的兒子，取出了財(cái)寶。在轉(zhuǎn)送途中，他們碰見了女演員阿卡塔等二人，彼此結(jié)伴而行。但行不多久，他們遭到了政府軍的襲擊，巴倫西等人英勇犧牲，財(cái)寶落到了阿卡塔手里。原來她是反對派派來的間諜。“革命者聯(lián)盟”得知這一情況后，馬上派出自己的同志設(shè)法處死了阿卡塔，將那批財(cái)寶安然送到了目的地。
備注：已完結(jié)
類型：動作片
主演：LarryCasey MargaretCash TrevorMurph
導(dǎo)演：GregoryGieras
語言：英語
年代：未知
簡介：大衛(wèi)在童年摯友杰克的邀請下，到圣卡利石窟進(jìn)行最后一次的洞穴冒險(xiǎn)。當(dāng)晚，他們圍在營火旁，向?qū)蛩麄兒喍探庹f有關(guān)圣卡利石窟的傳奇，第二天一早，這群興致勃勃的年輕人便迫不及待投入這項(xiàng)冒險(xiǎn)的活動，但是卻有一群邪惡的末知生命在黑暗中窺伺著他們。一個(gè)隊(duì)員在石窟里與眾人走散，卻被神秘的生物殺死，他手中的油燈落到含有硫磺的地面上，甲發(fā)爆炸，造成石窟塌陷，這些探撿隊(duì)員也被困在洞里。為了尋找出口，隊(duì)員分頭進(jìn)行探索工作。薩拉進(jìn)到石窟深處的狹縫里，赫然見到一雙閃亮鬼魅的眼睛正注視著她。在無盡的黑暗中……
備注：已完結(jié)
類型：喜劇片
主演：亞歷山大·謝爾 大衛(wèi)·克勞斯 湯姆·希林 德特勒夫·布克 斯特菲·庫內(nèi)
語言：其它
年代：未知
簡介：Communist East Berlin, early 1980s LUDGER is hired by the Stasi to infiltrate a subversive countercultural movement in the district of Prenzlauer Berg. After falling in love with the mysterious NATHALIE and sleeping with his first target, CORINNA, Ludger ends up living two lives – one as an underground poet and one as a Stasi agent – both of which eventually come back to haunt him 30 years later.
備注：已完結(jié)
類型：喜劇片
主演：Eric Metzger Quentin Margot 瑪麗-安娜·夏
導(dǎo)演：斯特凡納·卡贊吉安
語言：法語
年代：未知
簡介：Eric and Quentin, hosts in a children's show, are at the peak of their television careers. On a night that is a little too crazy, they drink too much and do a little rubbish. Unfortunately, someone films their exploits and broadcasts the video over the Internet. It's bad buzz, the dreaded phenomenon for a public figure. Their producer gives them 48 hours to restore their image, otherwise they will be fired. The more the duo tries to get by, the more they accumulate blunders, as during the funeral of Quentin's grandmother.
備注：已完結(jié)
類型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
語言：其它
年代：未知
簡介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
