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備注：已完結(jié)
類型：劇情片
主演：杰弗里·拉什 賈斯廷·布雷恩 索尼婭·托德 克里斯·海伍德 亞歷克斯·
導(dǎo)演：斯科特·?？怂?/a>
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：本片根據(jù)澳大利亞鋼琴家戴維?赫爾夫戈特（David Helfgott）的真人真事改編?！ ∩讵q太人家庭的戴維（Alex Rafalowicz 飾）自幼便展現(xiàn)過(guò)人的天賦，他的父親望子成龍，逼迫戴維苦練鋼琴，甚至不切實(shí)際地讓兒子挑戰(zhàn)號(hào)稱“世界上最難演奏的作品” 《D小調(diào)第三鋼琴協(xié)奏曲》。戴維在父親的陰影下苦不堪言，而父親為防止家庭破裂又千方百計(jì)阻止兒子外出求學(xué)，最終父子走向決裂?！ ￠L(zhǎng)為青年的戴維（Noah Taylor 飾）遠(yuǎn)赴英國(guó)皇家音樂(lè)學(xué)院求學(xué)，在此期間，“拉三”仍然是他心中未了的情結(jié)，經(jīng)過(guò)緊張籌備，他終于走向舞臺(tái)挑戰(zhàn)父親為他設(shè)下的攀登極限…… 影片榮獲1997年奧斯卡最佳男主角獎(jiǎng)（Geoffrey Rush）。
備注：已完結(jié)
類型：劇情片
主演：Juan Pablo Olyslager María Telón Di
導(dǎo)演：杰羅·布斯塔曼特
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：暴雨代替了眾人的無(wú)語(yǔ)，空氣裡的震驚與憤怒如鷹，盤旋在豪宅的大廳，等待著遲遲未歸的男主人保羅。擁有高薪工作、漂亮妻子和可愛(ài)小孩的他，犯了禁忌的愛(ài)，而被阻隔在完美的生活門外。他的家人和教會(huì)，決定以上帝之名治癒他、拯救他。教堂內(nèi)，轟隆的禱念不斷灌入保羅耳內(nèi)，喃念之語(yǔ)泛起震盪，碎裂了他的精神，以恐懼黏組成滿佈裂痕的信念?！ 〕鲕壍匠龉?，愛(ài)上在世俗眼光中不該愛(ài)的人。保羅與新歡搬進(jìn)新公寓，開始自由的新生活，但他的心卻未曾安心入住。他的愛(ài)情，被視為罪與疾病，受到各方抵制、譴責(zé)；他被所愛(ài)之人折磨，痛苦地徘徊在傷害和幸福之間?！ 肝蚁肓私庖粋€(gè)受過(guò)教育的人，最終會(huì)如何陷入他自己心中的監(jiān)牢。宗教環(huán)境、政治壓迫和傳統(tǒng)家庭，又如何壓迫男人的同性情愛(ài)。」──加伊羅．布斯塔曼德
備注：已完結(jié)
類型：劇情片
主演：Agustín Mendilaharzu Walter Jakob M
導(dǎo)演：馬里亞諾·利納斯
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：本片講述了三個(gè)以字母為代號(hào)的男人的神秘冒險(xiǎn)經(jīng)歷，時(shí)長(zhǎng)245分鐘，共分為18章節(jié)，以魔幻現(xiàn)實(shí)的手法表現(xiàn)出阿根廷近代歷史文化的變遷，敘事方法新穎獨(dú)特，長(zhǎng)鏡頭攝影精湛，盡管并不屬于大制作，而是小成本的獨(dú)立電影，但最后的結(jié)局卻給人以強(qiáng)烈而深刻的印象，是近些年來(lái)難得一見(jiàn)的阿根廷實(shí)驗(yàn)電影杰作。（08維也納國(guó)際電影節(jié)） In this adventurous experiment in storytelling, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries.
備注：已完結(jié)
類型：劇情片
主演：昂格利基·帕普利亞 YoulaBoudali 赫里斯托斯·帕薩利斯 A
導(dǎo)演：西拉斯·楚梅爾卡斯
語(yǔ)言：希臘語(yǔ) / 英語(yǔ)
年代：未知
簡(jiǎn)介：希臘導(dǎo)演 Syllas Tzoumerkas 的最新電影以及他與新希臘電影（Dogtooth，The Lobster）的明星 Angeliki Papoulia 的第二次合作，是一個(gè)兇猛而野蠻的犯罪故事，以超現(xiàn)實(shí)的圖像講述。謝謝閱讀
備注：已完結(jié)
類型：動(dòng)作片
主演：詹姆斯·弗朗西斯科斯 梅茜·琺瑪 韋朗第洛·維朗迪尼 埃德蒙·珀道姆
導(dǎo)演：魯杰羅·德奧達(dá)托
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：一架試飛的協(xié)和號(hào)超音速飛機(jī)在飛往倫敦途中突然墜入大海，機(jī)組人員中僅有一空姐幸免于難。此次空難是美國(guó)紐約的一個(gè)國(guó)際飛機(jī)制造公司為獨(dú)霸飛機(jī)市場(chǎng)而陰謀策劃的，一恐怖組織獲悉了內(nèi)情，囚禁了幸存的空姐，高價(jià)勒索紐約公司?！ 〉诙軡M載乘客的協(xié)和號(hào)飛機(jī)又將起飛，紐約公司孤注一擲，再施魔手。為粉碎其陰謀，摩西與紐約公司和黑幫組織展開了殊死搏斗......
備注：已完結(jié)
類型：動(dòng)作片
主演：托馬斯·米連 約瑟夫·科頓 Maria Fiore Mario Pia
導(dǎo)演：翁貝托·倫齊
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
