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備注：已完結(jié)
類型：劇情片
主演：馬克·瓦斯科 莎賓·蒂莫提歐 哈沙·阿庫坎 MartheSchneid
導(dǎo)演：羅尼·托克
語言：德語 / 法語 /
年代：未知
簡介：一家四口的中產(chǎn)家庭前往鄉(xiāng)村別墅度假，一起離奇的室內(nèi)入侵事件讓這個和睦家庭瞬間分崩離析。本片是意大利導(dǎo)演羅尼·托克自編自導(dǎo)的第二部長片，他摒棄常規(guī)線性敘事，在家庭各個成員的不同視角間切換，對同一突發(fā)事件做了抽絲剝繭的描摹。影片的戲劇沖突由此漸漸讓位于人物焦灼的心理狀態(tài)，與講述婚姻風(fēng)暴的瑞典影片《游客》有異曲同工之處。本片入圍2021年柏林電影節(jié)泰迪熊獎和圣丹斯電影節(jié)世界電影劇情類競賽單元。
備注：已完結(jié)
類型：恐怖片
主演：瑪格麗特·莫羅 莫里·格雷 KevinMcNamara Kirstin
導(dǎo)演：TomShell
語言：英語
年代：未知
簡介：When Chelsea meets up with her estranged childhood best friend, Milla, she's unprepared for the events that follow. Milla, who is now a webcam girl briefly catches Chelsea on camera during one of her shows. Unbeknownst to her, Chelsea has now been exposed to a watcher who becomes obsessed and will stop at nothing to have her to himself.
備注：已完結(jié)
類型：愛情片
主演：MichelaMiti CarloMucari PieroGerlin
導(dǎo)演：AndreaBianchi
語言：意大利語
年代：未知
簡介：暫無簡介
備注：已完結(jié)
類型：動畫片
主演：艾麗西亞·希爾維斯通 阿什麗·辛普森 山姆·威特沃 KiraBuckl
導(dǎo)演：邁克·迪薩
語言：英語
年代：未知
簡介：狗狗普沙克一直夢想著能像父母一樣成為進 入太空的宇航員，但母親貝卡認(rèn)為進入太空太過 危險，所以不僅不允許兒子成為宇航員，自己也 和好朋友絲翠卡重新回到馬戲團演出。 與此同時，地球上出現(xiàn)了一股神秘信號光 束，將地球上的建筑雕像、汽車、輪船以及人們 的物品全部吸入太空，普沙克的爸爸卡茲別克奉 命乘坐火箭到月球調(diào)查這束神秘光源，誰知卡茲 別克到達月球后就與地球失去了聯(lián)系。為了尋找丈夫和爸爸，貝卡和普沙克分別乘 坐從俄羅斯、美國發(fā)射的火箭來到月球，不僅解 開了神秘綠色光束的神秘面紗，也找到了失蹤已 久的卡茲別克。
備注：已完結(jié)
類型：喜劇片
主演：克里斯·梅森 HannahBritland 盧錫安·拉維斯科特 Mar
導(dǎo)演：JamesMarquand
語言：英語
年代：未知
簡介：該影片是由導(dǎo)演詹姆斯·昆德導(dǎo)演的一部關(guān)于人生和現(xiàn)代都市生活的電影。 正如影片名所說，主人公瑞恩就是一個生活在兩個世界中的人。一方面是自己夢寐以求的紙醉金迷的生活，另一方面是踏實簡單的現(xiàn)實生活。影片通過兩種生活方式的矛盾沖突和對比，來突出人物內(nèi)心的掙扎和矛盾。
備注：已完結(jié)
類型：喜劇片
主演：詹迪·莫拉 卡拉·埃萊哈爾德 烏納克斯·烏加爾德 拉蒙·阿吉爾 Alo
導(dǎo)演：安東尼奧·庫阿德里
語言：西班牙語
年代：未知
簡介：盧克領(lǐng)導(dǎo)著一個詐騙集團在芝加哥附近的約里埃特行騙。這天，手下人向他交了一大筆剛剛騙了的錢。不久，盧克就遭到了謀殺。原來，這筆錢是芝加哥的黑社會頭目朗尼根（羅伯特?肖 Robert Shaw 飾）剛剛收回的賭款，正是這筆錢令盧克引火燒身?！ 『耍_伯特?雷德福 Robert Redford 飾）是盧克的一個手下，盧克平日待他如親生兒子一般，生前就想把他介紹到芝加哥的好友騙術(shù)大師岡多夫（保羅?紐曼 Paul Newman 飾）處學(xué)藝。胡克發(fā)誓要給盧克報仇，于是前往芝加哥尋找岡多夫。胡克順利找到了岡多夫，聽聞這次的對頭是朗尼根，岡多夫馬上摩拳擦掌。于是，一個天衣無縫的行騙計劃開始了！
鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965
備注：已完結(jié)
類型：劇情片
主演：BobDylan JoanBaez JudyCollins
導(dǎo)演：MurrayLerner
語言：英語
年代：未知
簡介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
備注：已完結(jié)
類型：劇情片
主演：詹姆斯·加納 愛娃·瑪麗·森特 伊夫·蒙當(dāng) 三船敏郎 菲爾·希爾 Al
導(dǎo)演：約翰·弗蘭克海默
語言：英語
年代：未知
簡介：約翰·弗蘭肯海默執(zhí)導(dǎo)，出演陣容強大，有詹姆斯．加納、伊娃．瑪麗．圣、伊維斯．蒙坦德、三船敏郎等影星。劇情講述美國賽車選手畢特輾轉(zhuǎn)參加蒙地卡羅及歐洲多國的大賽車，爭奪世界總冠軍。其間經(jīng)歷了一些感情與事業(yè)的波折，后來終于達成所愿。該片故事性淡薄，是一部大堆頭的國際性賽車片。片中部分賽車鏡頭拍得十分緊張刺激，但制片時的分割銀幕技術(shù)用得太粗糙，而且全片過長。
