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備注:已完結(jié)
類型:劇情片
主演:康格娜·拉瑙特 舒邦特拉·森 丹尼·鄧宗帕 庫爾布尚·卡爾班達(dá) 穆罕默
導(dǎo)演:RadhaKrishnaJagarlamudi 康格娜·拉瑙特
語言:印地語 / 泰米爾語
年代:未知
簡介:1857年印度民族起義期間,章西女王反抗英國在印度的統(tǒng)治。
備注:已完結(jié)
類型:劇情片
主演:維克多·崔 Marina Smirnova 彼得·馬莫諾夫 亞歷山大·
導(dǎo)演:拉希德·努格馬諾夫
語言:俄語
年代:未知
簡介:In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
備注:已完結(jié)
類型:科幻片
主演:丹尼·特雷霍 TimurTurisbekov DoroteyaTole
導(dǎo)演:瓦列·米利夫
語言:英語
年代:未知
簡介:在第三次世界大戰(zhàn)期間,美國政府發(fā)起了一個秘密的項目代號為“陸軍培根”,以創(chuàng)造超級士兵近交人與豬。25年后,一種叫做“槍口”已經(jīng)占據(jù)食物鏈的頂端,吃和人類飼養(yǎng)動物一樣。羅布正義是一個前賞金獵人工作的最后一行人類抵抗-一組幸存者躲藏在核掩體深處地下。他的任務(wù)是找出槍口上臺并消滅他們。
備注:已完結(jié)
類型:喜劇片
主演:Slavoj Urban Jirí Sykora 尼娜·蒂維斯科娃
導(dǎo)演:伊洛·哈維塔
語言:斯洛伐克語
年代:未知
簡介:8/ 《植物園的狂歡》(Slavnost V Botanickej Zahrade/The Gala in the Botanical Garden,1969),87分鐘,黑白+彩色,導(dǎo)演:Elo Havetta 六十年代最具創(chuàng)造力的斯洛伐克電影之一,依我的看法這部影片代表了東歐魔幻現(xiàn)實主義電影的最高水準(zhǔn)。哈維塔的首部影片,用荒誕夸張的情節(jié)來表現(xiàn)斯洛伐克人民的悲歡離合,其中黑白與彩色交織的影像來自著名的斯洛伐克攝影師斯蒙西奇(Dodo Simoncic)。
備注:已完結(jié)
類型:劇情片
主演:薩姆·沃辛頓 艾德·奧克森博爾德 德波拉·梅爾曼 Nicholas B
導(dǎo)演:羅伯特·康諾利
語言:英語
年代:未知
簡介:薩姆·沃辛頓在世界影壇為一屢澳洲陽光從地球上逝去唏噓不已的同時,另一位與希斯·萊杰同樣來自澳大利亞佩斯的男演員薩姆·沃辛頓于08年初吸引了眾人的目光,先前被詹姆斯·卡梅隆挑中領(lǐng)銜《異次元戰(zhàn)神》的他又在卡梅隆的推薦下入主《終結(jié)者4》接替阿諾,有機(jī)會與蝙蝠俠克里斯蒂安·貝爾同臺獻(xiàn)藝;這兩部科幻大片將讓薩姆·沃辛頓的名字成為09年暑期檔當(dāng)之無愧的關(guān)鍵詞之一。如今接拍《紙飛機(jī)》變暖男……
備注:已完結(jié)
類型:科幻片
主演:維克多·班納杰 YogendraTikku HimanshuKohli
導(dǎo)演:TusharRaheja
語言:英語
年代:未知
簡介:A celebrated author's story about a genetic experiment morphs into reality, when it is read by three strangers. Trapped in a room, the four discover that one of them must be killed to save the rest from an escaped undercover recruit.
備注:已完結(jié)
類型:喜劇片
主演:Jirí Sykora Jana Stehnová 弗拉多·米勒
導(dǎo)演:朱拉·亞庫比斯克
語言:捷克語
年代:未知
簡介:Although the title would indicate this feature has a religious theme, it refers only to men between the ages of 30 and 33. Juraj (Jiri Sykora) is a recent graduate of the art institute who is uncertain about his future as a painter. His brother Andrej (Vlado Mueller) is the businessman who has the confidence his brother lacks but is troubled by his strained marriage to his wife. Juraj falls for his brother's wife, while Andrej falls for Juraj's girl Jana (Jana Hernova), but Andrej's death in a car crash puts an end to the two unconventional love affairs. The appeal of the film is the interaction of the two brothers that strikes a resounding note of familiarity to any audience. —— Dan Pavlides, All Movie Guide