溫馨提示:歡迎訪問(wèn)
請(qǐng)記住網(wǎng)址:irvingpettraining.com,感謝網(wǎng)友的支持!提供最新高清電影熱播電視劇在線觀看,為廣大用戶免費(fèi)提供在線觀看電影和電視劇服務(wù)。
備注:已完結(jié)
類型:喜劇片
主演:蘇菲·瑪索 克麗絲塔·特瑞特 杰瑞米·卡彭 Marion Chabas
導(dǎo)演:麗薩·阿祖洛斯
語(yǔ)言:法語(yǔ)
年代:未知
簡(jiǎn)介:和許多處于青春期的少女一樣,羅拉(克麗絲塔·特瑞特 Christa Theret 飾)覺(jué)得自己的生活糾結(jié)成了一團(tuán)亂麻。不僅僅是男友亞瑟(菲利克斯·穆阿提 Félix Moati 飾)的三心二意讓她十分憤怒,她和母親安娜(蘇菲·瑪索 Sophie Marceau 飾)之間的問(wèn)題也似乎永遠(yuǎn)都得不到解決。然而,對(duì)于安娜來(lái)說(shuō),獨(dú)自撫養(yǎng)一個(gè)個(gè)性叛逆而倔強(qiáng)的女兒究竟有多么辛苦只有她自己心里清楚,同時(shí),在漸漸變得冷漠而陌生的女兒面前,安娜又何嘗不是一個(gè)初出茅廬的“初學(xué)者”呢?! 『迷谑虑榈倪M(jìn)展?jié)u漸有了轉(zhuǎn)機(jī),在一連串的誤解和矛盾中,母女二人之間的堅(jiān)冰也在慢慢的溶解,當(dāng)安娜和羅拉各自站在對(duì)方的角度來(lái)看待她們之間所發(fā)生的一切時(shí),整個(gè)世界發(fā)生了翻天覆地的變化。
備注:已完結(jié)
類型:喜劇片
主演:巴巴拉·戈納加 ZorionEguileor LanderOtaola
導(dǎo)演:本·夏羅克
語(yǔ)言:巴斯克語(yǔ) / 西班牙
年代:未知
簡(jiǎn)介:囿于經(jīng)濟(jì)危機(jī)給西班牙帶來(lái)的困境,一對(duì)身無(wú)分文的年輕情侶無(wú)法“離巢”。同時(shí)兩個(gè)菜鳥(niǎo)還要學(xué)會(huì)如何在家庭束縛下,處理好彼此的感情這一惱人問(wèn)題。他們對(duì)發(fā)生關(guān)系日益絕望的時(shí)候,開(kāi)始著手尋找在年輕人中受歡迎的公共性場(chǎng)所。然而事情并非如想象中簡(jiǎn)單,他們?cè)噲D打破經(jīng)濟(jì)危機(jī)的枷鎖的時(shí)候,關(guān)系也受到了考驗(yàn)。
備注:已完結(jié)
類型:喜劇片
主演:迪恩·馬丁 杰瑞·劉易斯 波莉·伯根 Marion Marshall
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:BillMillerisanunsuccessfulBroadwayperformeruntilhishandlersconvincehimtoenhancehisactwithastooge-TedRogers,aguypositionedintheaudiencetobethebuttofBill'sjokes.ButTedbeginstostealtheshow.Bill'sgirlfriendandhispalstellhimtomakeTedanequalpartner.Complicationsoccur,whileBillsingsandTedgetsthelaughs.
備注:已完結(jié)
類型:科幻片
主演:Ione Butler 安德魯·阿斯珀 La La Nestor Ki
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:動(dòng)物園準(zhǔn)備開(kāi)放,聘請(qǐng)一班實(shí)習(xí)生到訪實(shí)習(xí),沒(méi)想到一種神秘病毒在動(dòng)物園內(nèi)開(kāi)始蔓延爆發(fā),全動(dòng)物園的動(dòng)物因而變成噬血活尸,成了真正的尸樂(lè)園,現(xiàn)在園區(qū)內(nèi)的幸存者除了得想辦法逃出生天外,還必須阻止這群饑腸轆轆的動(dòng)物活尸走出園區(qū)……
備注:已完結(jié)
類型:科幻片
主演:Margarete Sch?n Theodor Loos Paul B
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
備注:已完結(jié)
類型:恐怖片
主演:皮特·藍(lán)薩尼 Ailén Mazioni 達(dá)迪·布列瓦 Fabio A
導(dǎo)演:馬里亞諾·寇恩
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:平凡不過(guò)的鄰區(qū)街道上,一臺(tái)再正常不過(guò)的四輪驅(qū)動(dòng)房車,一個(gè)男人輕松地撬開(kāi)門鎖而入,大肆搜刮了車內(nèi)任何值錢的東西,當(dāng)他打算滿載而出時(shí),突然發(fā)現(xiàn)整臺(tái)車的車門全都反鎖死,且用盡力氣也無(wú)法敲破車窗,身經(jīng)百戰(zhàn)的他,此刻卻深陷牢不可攻的密室里,然而這時(shí),車內(nèi)通話突然響起,「你好,歡迎上車…」男子這才發(fā)現(xiàn)自己掉入了車主所設(shè)下的陷阱,他要如何全身而退呢? 《4x4危機(jī)四伏》是一部全新形態(tài)的驚悚冒險(xiǎn)懸疑電影,電影不只在票房上有亮眼的成績(jī),吸睛的題材甚至引起各國(guó)爭(zhēng)相購(gòu)買此片翻拍權(quán)利,甚至連《進(jìn)擊的鼓手》制作人在看完后,都表達(dá)對(duì)這部片拍成美版有高度的興趣。而它也不僅僅是一部娛樂(lè)片,導(dǎo)演透過(guò)影片傳達(dá)關(guān)于群眾暴力、人性的執(zhí)著與貪婪,都是期待開(kāi)啟觀眾對(duì)話的鑰匙,希望能夠影響并感染到整個(gè)年輕世代。
備注:已完結(jié)
類型:恐怖片
主演:阿迪妮·威拉絲緹 Dion Wiyoko Nova Eliza Ren
導(dǎo)演:Guntur Soeharjanto
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.