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備注:已完結(jié)
類型:劇情片
主演:伊莎貝爾·于佩爾 阿弗西婭·埃爾奇 納威爾·佩雷茲·畢斯卡亞特 Rom
導(dǎo)演:安德烈·泰希內(nèi)
語言:法語
年代:未知
簡介:該劇本由André Téchiné和Régis de Martrin-Donos撰寫,以即將退休的技術(shù)和科學(xué)警察的特工Lucie為中心。一對年輕夫婦(一個小女孩的父母)來到他的小區(qū),這讓他孤獨的日常生活感到不安。當(dāng)她愛上她的新鄰居時,她發(fā)現(xiàn)父親Yann是一名反警察活動家,有著沉重的犯罪記錄。Lucie的職業(yè)良知與她幫助這個家庭的愿望之間的道德沖突將動搖她的確定性......
備注:已完結(jié)
類型:劇情片
主演:弗蘭茨·羅戈夫斯基 克里斯托弗·塞爾梅特 Noemi Besedes
導(dǎo)演:喬治奧·迪里蒂
語言:意大利語 / 德語
年代:未知
簡介:意大利資深導(dǎo)演喬治奧·迪里蒂繼傳記片《我想藏起來》入圍柏林國際電影節(jié)主競賽單元后,其新作《盧博》又入圍威尼斯國際電影節(jié)主競賽單元。影片主人公盧博以街頭賣藝為生,他是游牧民族的成員。1939年,盧博加入瑞士軍隊服兵役保衛(wèi)邊境,但隨后他的孩子們卻被帶走接受國家“再教育計劃”,盧博意識到只有找回孩子才能獲得真正的平靜……影片以漫長的冒險旅程和大量細節(jié)揭示了主人公追索自由之艱辛。
備注:已完結(jié)
類型:海外劇
主演:Salim Husen Mulla Shri Prakash Mi
導(dǎo)演:Hitesh Bhatia
語言:印地語
年代:未知
簡介:Five housewives who run a high stakes secret cartel in which style, ambition, love, friendship and betrayal set in the rich 1960s Mumbai.
備注:已完結(jié)
類型:恐怖片
主演:斯文·索奇塔 細田善彥 Thanet Thorn 每熊克哉
導(dǎo)演:Sokyou Chea Inrasothythep Neth
語言:日語 / 高棉語
年代:未知
簡介:Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.