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備注：已完結(jié)
類型：愛情片
主演：托莉·安德森 本·霍靈斯沃斯 GardinerMillar 赫羅斯加·
導(dǎo)演：皮特·德路易斯
語言：英語
年代：未知
簡介：幾十年來，卡貝拉石油公司和布蘭迪尼石油公司一直在競爭石油牧場。然而，情況并非總是如此。創(chuàng)始人 Raphael Brandini 和 Frank Cabella 曾經(jīng)和睦相處，直到他們的關(guān)系破裂，導(dǎo)致他們將共同的牧場一分為二。作為本土經(jīng)營的卡貝拉石油公司的活潑而有競爭力的繼承人，妮可卡貝拉決心證明她已準(zhǔn)備好掌管家族企業(yè)。她已經(jīng)準(zhǔn)備好啟動(dòng)一項(xiàng)翻新計(jì)劃，這將使她能夠?qū)?Cabella 擴(kuò)展到一個(gè)新的水平。一切就緒，直到杰克布蘭迪尼重新出現(xiàn)在日落谷，就是這樣。公司律師杰克因家庭緊急情況被召回主宰布蘭迪尼牧場，他從日常工作中分心。在那里，杰克發(fā)現(xiàn)了卡貝拉和布蘭迪尼財(cái)產(chǎn)之間的土地糾紛。由于疏忽了自己的家族公司，他決定為他們奪回土地。這樣做，他重新點(diǎn)燃了兩派之間的競爭，因?yàn)槟菘删芙^承認(rèn)他對這片土地的要求。當(dāng)?shù)氐娜章涔确ü贈]有進(jìn)行漫長而昂貴的法庭訴訟，而是提出了一種非常規(guī)的方式來決定土地的所有權(quán)：無論哪個(gè)牧場贏得了一年一度的日落谷橄欖油競賽，都將贏得土地。布蘭迪尼家族已經(jīng)連續(xù)三年獲勝，因此杰克有信心接受挑戰(zhàn)，盡管他個(gè)人沒有制造石油的經(jīng)驗(yàn)。另一方面，妮可的血液中充滿了油，但如果她想取得勝利，就必須克服自己的自我懷疑。當(dāng) Jake 和 Nicole 努力創(chuàng)作各自的橄欖油作品時(shí)，他們一邊享受著每年一度的秋季音樂節(jié)，一邊發(fā)現(xiàn)他們的共同點(diǎn)可能比他們想象的要多 - 火花開始飛揚(yáng)。
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語言：其它
年代：未知
簡介：前東德最好的一部超現(xiàn)實(shí)主義幻想?。 his is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
備注：已完結(jié)
類型：愛情片
主演：赫伯特·巴尚 LucSimon LauraDukeCondominas
導(dǎo)演：羅伯特·布列松
語言：法語
年代：未知
簡介：故事發(fā)生在尋找圣杯的最后幾天，當(dāng)亞瑟王的武士們策馬穿過一片充滿黑暗、險(xiǎn)象環(huán)生的叢林，一無所獲回到卡默洛特（亞瑟王的宮殿）后，他們的隊(duì)伍被解散，士氣頓失。在他們中間，一位名為蘭斯洛特的武士，對此次失敗感到深深自責(zé)。他認(rèn)為正是他和格溫娜維爾皇后的偷情摧毀了這次神圣的使命。失敗的陰影籠罩著一切，輝煌華麗的宮廷呈現(xiàn)出一個(gè)即將結(jié)束的年代的衰敗氣象。
備注：已完結(jié)
類型：劇情片
主演：Demian Hernández Antar Machado Magd
導(dǎo)演：多明加·索托邁約·卡斯蒂略
語言：其它
年代：未知
簡介：1990年夏天，在智利，一小群家庭生活在安第斯山脈下面的一個(gè)孤立的社區(qū)，他們建立了一個(gè)遠(yuǎn)離城市過度行為的新世界，試圖充分利用這個(gè)國家最近結(jié)束獨(dú)裁統(tǒng)治后出現(xiàn)的自由。在這個(gè)變化和清算的時(shí)代，十幾歲的索菲亞、盧卡斯和克萊拉與他們的父母、他們的初戀和他們的恐懼作斗爭，他們?yōu)樾履昵跋?zhǔn)備一個(gè)大聚會。他們可能遠(yuǎn)離城市的危險(xiǎn)，但不會遠(yuǎn)離自然。
備注：已完結(jié)
類型：劇情片
主演：Kim Delaney .... Dr. Samantha Hill
語言：英語
年代：未知
簡介：本劇是NBC頗具震撼力的電視迷你短劇《10.5》（地動(dòng)天驚）的續(xù)集和終結(jié)篇。在上一集中，強(qiáng)烈的地殼運(yùn)動(dòng)所引發(fā)的10.5級恐怖地震毀滅了美國西海岸，改變了地核結(jié)構(gòu)，直接威脅到到北美甚至整個(gè)西半球，造成了一系列連鎖災(zāi)害：夏威夷被海嘯吞沒，胡佛被摧毀，洛杉磯沉沒……《10.5 Apocalypse》（毀滅之日）的視覺效果達(dá)到了同類迷你劇中的高水準(zhǔn)?！ 榱苏雀嗟纳?、挽救國家，Hollister總統(tǒng)（扮演者：艾美獎(jiǎng)和金球獎(jiǎng)雙料明星Beau Bridges，SG-1 第九季中可愛的將軍）決定孤注一擲。他找來全國最頂級也是最有爭議的地震學(xué)家Samantha Hill博士（扮演者：艾美獎(jiǎng)得主Kim Delaney）和她的上司兼前男友Jordan Fisher博士（扮演者：David Cubitt），評估最近一次地震所帶來的沖擊。Hill絞盡腦汁，沒辦法弄明白為什么會有持續(xù)不斷的地震和火山爆發(fā)，但她意外發(fā)現(xiàn)了也是地震學(xué)家的父親（扮演者：Frank Langella）多年前作出的一個(gè)難以置信的假設(shè)。如果這個(gè)假設(shè)正確，將會有更大的災(zāi)難到來，北美大陸也將徹底被改變：將被分割成兩塊獨(dú)立的大陸。
