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備注：已完結
類型：劇情片
主演：簡·懷曼 瑪琳·黛德麗 邁克·懷爾登 理查德·托德 阿拉斯塔爾·西姆
語言：英語
年代：未知
簡介：當紅舞臺劇女星Charlotte（Marlene Dietrich）這日早晨匆匆叩開情人Jonathan（Richard Todd）的房門，神色慌張地相告她剛剛殺了丈夫。Charlotte緊張更因她馬上要去劇場演出，身上穿的卻是沾有一大塊血跡的裙子。Jonathan將Charlotte安撫一番，來到她家?guī)退∑渌路?，并在要離開之時偽造了現(xiàn)場，但卻因此耽擱時間被Charlotte的女仆看見，Jonathan被迫找上愛戀他的Eve（Jane Wyman）。 上是Eve開車帶Jonathan逃避警察追捕時，Jonathan對她的講述，Eve聽畢決計為所愛之人赴湯蹈火。但事情卻有另外真相。
備注：已完結
類型：劇情片
主演：桑妮·雷奧妮 Randeep Hooda Arunoday Singh
導演：普嘉·巴哈特
語言：印地語
年代：未知
簡介：情色女星Izna受雇于瀟灑勇猛的情報官員Ayaan，后者派她接近可怕的殺手Kabir并讓他掉進“甜蜜陷阱”。在這種情況下，她不僅要面對苦樂交織的過去，還要被迫做出一個不可能的選擇——一個將自己的生命置于雙重危險中的抉擇。 該片是2003年碧帕莎·芭素和約翰·亞伯拉罕主演的《最毒美人心》的續(xù)集，不過它和第一部沒有半毛錢關系。電影拍攝檔期分三段，分別在齋普爾、果阿、斯里蘭卡取景。桑妮·雷奧妮是本色出演，她也希望借此機會和曾經(jīng)的自己說再見。電影上映之路經(jīng)歷重重坎坷，從第一支歌舞釋出就被分為A級片，現(xiàn)在又遭遇印度電影審查機構的百般阻擾，要求導演刪掉至少50%的激情戲，并表示電影不需要導演證明自己的實力，但必須符合規(guī)定。不過導演正在力圖保住每一段心血，我們期待看到完整版的片子吧。
備注：已完結
類型：動作片
主演：Jakob Eklund Joel Kinnaman Ruth Veg
語言：瑞典語 / 法語 /
年代：未知
簡介：瑞典某市國王路公寓發(fā)生一起入室兇案，弗蘭克?瓦格納出于自衛(wèi)錯手殺死持槍入室的歹徒，瞬間被推向輿論的風口浪尖。他帶著妻兒找到了GSI的特警約翰?福爾克尋求幫助。與此同時犯罪團伙頭目推測弗蘭克可能是潛伏在圈子里的臥底，找到平素與弗蘭克有貿易合作的商人賽斯，恐嚇其散布消息重金懸賞捉拿弗蘭克的人。緊接著一名GSI女警員無故被槍擊致使昏迷，更令案件陷入重重謎團。警察當局威脅弗蘭克接受不平等契約，不然便要令他成為全國通緝犯。弗蘭克憤怒出逃。隨著五年前一宗擊斃犯罪分子的案件重新被想起，真相漸漸浮出水面，人們口中的殺人嫌犯弗蘭克原來真是為警察當局兢兢業(yè)業(yè)的臥底，也就是傳說中的“代號麗莎”，可他終究難逃亡命生涯……
備注：已完結
類型：恐怖片
主演：Eric Balfour Iva Hasperger Aarón Dí
語言：英語
年代：未知
簡介：片名源自dinosaur“恐龍時代的生物”，阿拉斯加的億年冰川中封存著一億五千年前鯊魚的幼苗，氣候變化影響之下，冰川凍結，遠古生物重現(xiàn)21世紀的海洋，游至瓦拉塔海港，一個寧靜溫暖的小港……饑餓的史前鯊對那里的人物張開了血盆大口，所到之處盡是一片血腥，殺戮何時才能終止呢？誰能除掉這頭猛獸呢？！
備注：已完結
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
