備注：已完結
類型：劇情片
主演：Paolo Cossi Jacopo Elia Denise Trom
導演：米開朗基羅·弗蘭馬汀諾
語言：意大利語
年代：未知
簡介：上世紀60年代，經濟繁榮，意大利富饒的北部正在修建歐洲最高的建筑，而在該國的另一端，年輕的洞穴學家在未受破壞的卡拉布里亞腹地探索歐洲最深的洞穴。比富爾托深淵的底部、地面下方700米處，將首次迎來人類造訪。附近的村民沒有注意到這群探險者，但波利諾高原的老牧羊人卻注意到他離群索居的生活開始與這群人的探險交織在一起。
備注：已完結
類型：劇情片
主演：Enrique Kaulen Eliana Vidal
語言：其它
年代：未知
簡介：智利影史十部最佳影片之一. 和一樣都是60年代拉美新電影運動的代表作. A young boy mourns the loss of his newborn brother when the baby dies. At the baby's wake, the child is given paper wings to symbolize his union with the angels of heaven. The funeral takes place after the wake turns into a drunken affair. When the baby's paper wings are left behind, the boy tries to give the wings back to his dead brother for fear the child will not go to heaven. The young boy also saves a pigeon from being tortured at the hands of other sadistic children in this feature heavy with symbolic and religious overtones.
備注：已完結
類型：劇情片
主演：莎倫·卡羅西亞 RosarioCaroccia TinaAmariut
語言：
年代：未知
簡介：RosarioworksasastreetselleronthefairgroundsofthesuburbsofNaples.HisdreamtoescapepovertylatchesontothemusicaltalentofhisdaughterSharon.HeturnsintoanimpresariotomakeherastaroftheItalianfolkmusic.
備注：已完結
類型：愛情片
主演：萊昂納多·斯巴拉格利亞 愛德華多·諾列加 巴勃羅·埃查里 蕾蒂西亞·布
導演：馬西路·品尼路
語言：西班牙語
年代：未知
簡介：內勒（萊昂納多·斯巴拉格利亞 Leonardo Sbaraglia 飾）和安吉爾（愛德華多·諾列加 Eduardo Noriega 飾）是一對被稱為“雙胞胎”的暴力匪徒，形影不離的他們實際上是同性戀人的關系。兩人相識于一個同性戀出沒的公共廁所，內勒把無家可歸的安吉爾帶回家，自此二人同居，一起生活，一起作案。安吉爾患有嚴重的幻聽，時時聽到聒噪的聲音，受這些聲音的支配，安吉爾開始拒絕內勒的觸碰。隔閡漸漸在二人之間產生，內勒知道，只要他們再合作干一樁大案，就能重新找回“雙胞胎”的感覺。他們參與了一樁由一名政府官員策劃的搶劫案，兩人以及同伙一起打劫了銀行的運鈔車。搶劫過程并不順利，安吉爾中槍，內勒把警察都殺死了，他們犯下了驚天大案。為了逃避追捕，他們帶著搶來的錢，展開了逃亡之旅。 本片改編自1965年發(fā)生在阿根廷的真實犯罪事件。
備注：已完結
類型：劇情片
主演：薩姆·德·格拉斯 Francelia Billington 埃里克·馮
導演：埃里克·馮·施特羅海姆
語言：英語
年代：未知
簡介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
備注：已完結
類型：劇情片
主演：馬丁·辛 杰奎琳·杜普雷 豪爾赫·路易斯·拉莫斯 Elia 桑嫻·洛格
語言：英語
年代：未知
簡介：Ten years after a tidal wave destroys a small-town elementary school with all the children inside, a young man builds a mysterious structure out of the school's remains, setting the town aflame with passions long forgotten.
備注：已完結
類型：劇情片
主演：Estela Inda Alfonso Mejía Roberto C
導演：路易斯·布努埃爾
語言：其它
年代：未知
簡介：從少管所逃出來的少年哈伊伯（羅伯特·考博 Roberto Cobo 飾）帶領小孩子們欺負街市上賣藝的瞎眼老頭兒（米格爾·因克蘭Miguel Inclán 飾），搶他的錢，敲破了他的鼓。傍晚，一個沒名字的鄉(xiāng)下孩子“小眼睛”（Mário Ramírez 飾）被父親遺棄在集市 ，孩子們中一個叫佩德羅的（阿爾方索·梅嘉 Alfonso Mejía 飾）同情他，帶他到朋友家的牛棚過夜。佩德羅自己因成天與小混混們在一塊兒，不找工作幫襯家里，被媽媽（伊斯特納·英達 Estela Inda 飾）厭惡，也被趕出了家門。而哈伊伯惦著一年前與另一少年的過節(jié)，讓佩德羅帶著他找其尋仇。佩德羅想要脫離哈伊伯，也想重獲母愛回家，可事情卻沒想象的那么簡單…… 本片獲1951年戛納電影節(jié)最佳影片提名，并獲最佳導演獎。1953年，獲英國電影電視協(xié)會最佳影片獎。
