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備注:已完結(jié)
類型:劇情片
主演:Drew Fuller德魯·傅勒
導(dǎo)演:麥克·O·沙貝爾
語言:英語
年代:未知
簡介:杰森與爺爺霍華德·史蒂文斯之間似乎從未有過所謂祖孫情深的橋段,杰森唯一知道的就是向爺爺要錢當(dāng)爺爺去世后,杰森滿心以為可以繼承一大筆財產(chǎn),前途無憂之時,他發(fā)現(xiàn)爺爺竟在他和這筆財產(chǎn)之間設(shè)置了十二道障礙,他必須依次完成遺囑上的十二個有關(guān)“禮物”的任務(wù)后,方能得到這筆最終的超級禮物。為了獲得遺產(chǎn),杰森只好著手完成第一個任務(wù),沒想到得到的禮物竟是讓他嘗嘗破產(chǎn)的滋味,而這僅僅是開始,對于幾乎沒有過正式工作的富二代杰森來說,遺囑上的每一個任務(wù)都是一次艱難挑戰(zhàn),他不知道在這條發(fā)現(xiàn)之旅上他還會遇到什么,也不知道爺爺?shù)降自谫u什么藥,然而他的人生卻因為這份遺囑正悄悄地被改寫
備注:已完結(jié)
類型:劇情片
主演:克蘿麗絲·利奇曼 Thomas Duplessie 琳達(dá)·卡辛 杰恩·
導(dǎo)演:Phil Connell
語言:英語
年代:未知
簡介:A rookie drag queen, reeling from a break-up, escapes to the country, where he finds his grandmother in steep decline yet desperate to avoid the local nursing home.
備注:已完結(jié)
類型:喜劇片
主演:Brenna D'Amico Reylynn
語言:英語
年代:未知
簡介:The film centers around a girl who inherits a miniature horse that develops an unlikely friendship with her half-sister's Jack Russell Terrier, who takes to riding on the horse's back.
備注:已完結(jié)
類型:喜劇片
主演:Dusan Pekic 米蘭·馬里奇 德拉甘·比耶洛格利奇 布蘭卡·卡
導(dǎo)演:斯?fàn)栒病さ吕暌S奇
語言:其它
年代:未知
簡介:How easy is it for desperate youngsters to become dangerous gangsters in a decaying society washed all over by the blood of war Fairly easy indeed. Rane shows incidents, probably somewhat facts, that took place in Serbia of the war era. Things similar to what you see on this film could happen virtually everywhere, but this film gives a very Yugoslavian feeling to everything. Yugo style mafia, Yugo style murder, and all that. Revolting politicians and their greed are to blame, not only the desperate young men who lose their reasoning while trying to be someone. The film and the casting is overall successful, and it's so very Serbian. I recommend it to anyone who.. well anyone who likes a good film. But don't expect anything American style on this one, as I say it's Yugo to the bone.
備注:已完結(jié)
類型:劇情片
主演:Andrea Bacci Dario Marconcini
導(dǎo)演:讓-馬里·斯特勞布
語言:意大利語
年代:未知
簡介:For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called ?cinema?. It has one foot in the world beyond. Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)