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備注：已完結(jié)
類(lèi)型：喜劇片
主演：布魯諾·亞歷山大 David Baalcke Momo Beier 皮
導(dǎo)演：西蒙·范霍文
語(yǔ)言：德語(yǔ)
年代：未知
簡(jiǎn)介：“Old White Man” examines the generational and cultural divide in today’s society through the lens of Heinz Hellmich, a middle-aged family man on the verge of losing his job after a series of communication blunders at work. Desperate to prove he’s not just an “old white man,” he invites his boss and guests to a dinner party, aiming to present his family as modern and “woke.” How...
備注：已完結(jié)
類(lèi)型：恐怖片
主演：凱特·邁納 Katalina Viteri 杰森·卡內(nèi)拉 Chip L
導(dǎo)演：Carlos V. Gutierrez
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：暫無(wú)簡(jiǎn)介
備注：已完結(jié)
類(lèi)型：喜劇片
主演：佩德羅·佩拉諾 álvaro Díaz Lorenzo Rodrigo
導(dǎo)演：álvaro Díaz González 佩德羅·佩拉諾
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介：提提里爾肯鎮(zhèn)的圣誕節(jié)熱浪滔天，氣得圣誕老人罷工啦！兔記者博多克自告奮勇去北極搶救禮物，伙伴們卻搞出雞飛狗跳的圣誕秀——誰(shuí)知博多克半路賭癮發(fā)作惹大禍。
備注：已完結(jié)
類(lèi)型：喜劇片
主演：朱麗葉塔·馬西納 桑德拉·米洛 馬里奧·皮蘇 瓦倫蒂娜·格特斯 瓦勒斯
導(dǎo)演：費(fèi)德里科·費(fèi)里尼
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：費(fèi)里尼拍攝了另一部自傳性很強(qiáng)的電影《朱麗葉與魔鬼》，在這部電影里，費(fèi)里尼過(guò)分追求求神秘主義的夢(mèng)境空間，在影片里極盡詳能的描述描寫(xiě)一個(gè)資產(chǎn)階級(jí)的女人遭到丈夫的欺騙，精神迷惘，陷于離奇古怪的幻覺(jué)，最后終于清醒的故事。雖然費(fèi)里尼和茱莉埃妲兩人攜手共度一生，而且費(fèi)里尼也從來(lái)沒(méi)有傳出與其他女人的誹聞，但是我想所有對(duì)費(fèi)里尼非常熟悉的影迷都不相信費(fèi)里尼從沒(méi)有出軌的行為。尤其在看了這部電影之后，因?yàn)樵谫M(fèi)里尼的電影中充分的表現(xiàn)出費(fèi)里尼是一個(gè)性欲旺盛且對(duì)女人充滿(mǎn)遐想的導(dǎo)演，他甚至在他的男人外遇只是把自己的性器官借給別人用一下罷了，并沒(méi)有出賣(mài)自己的靈魂。或者這正是費(fèi)里尼的迷人之處吧，他永遠(yuǎn)是神秘的，讓人無(wú)法捉摸的。
備注：已完結(jié)
類(lèi)型：劇情片
主演：阿黛爾·艾克薩勒霍布洛斯 AlexandrePerrier MaraT
導(dǎo)演：伊曼努爾·馬雷 朱莉·勒庫(kù)爾
語(yǔ)言：英語(yǔ) / 法語(yǔ) /
年代：未知
簡(jiǎn)介：年輕空姐卡珊卓任職于廉航，每日飛往不同城市卻從不觀光，只想流連電音派對(duì)、沉迷酒精或在交友軟體找對(duì)象。對(duì)公司來(lái)說(shuō)，她是無(wú)可挑剔的員工；恪遵每條工作指南、達(dá)成每項(xiàng)銷(xiāo)售目標(biāo)、答應(yīng)每次加班要求，甚至不聲援同仁的工會(huì)活動(dòng)。但在她耐心對(duì)待麻煩乘客，親切服務(wù)倍受贊揚(yáng)的完美妝容下，卻沒(méi)人察覺(jué)她眼底的那抹悲傷。
備注：已完結(jié)
類(lèi)型：劇情片
主演：馬里烏什·德莫霍夫斯基 貝婭塔·蒂?；S茨 菲耶夫斯基·塔德烏什 Ja
導(dǎo)演：沃伊切赫·哈斯
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
備注：已完結(jié)
類(lèi)型：劇情片
主演：Alina Schaller Judith Altenberger T
導(dǎo)演：Clara Stern
語(yǔ)言：德語(yǔ)
年代：未知
簡(jiǎn)介：米拉是一個(gè)奧地利葡萄園的繼承人，她的生活中有很多需要擔(dān)心的事情，每天都得應(yīng)對(duì)巨大的壓力：家族企業(yè)幾乎無(wú)法維持，祖父的癡呆癥越來(lái)越嚴(yán)重，兄弟保羅最近還失蹤了。面對(duì)令人焦慮的一切，米拉唯一發(fā)泄方式是參與女子冰球，作為隊(duì)長(zhǎng)，她以她一貫的正直和責(zé)任感帶領(lǐng)團(tuán)隊(duì)。新隊(duì)友特蕾莎的出現(xiàn)，讓總是很緊張的米拉擁有了不一樣的感覺(jué)。一天，保羅回來(lái)了，三人踏上一場(chǎng)改變命運(yùn)的維也納之旅：在那里米拉將學(xué)會(huì)放手，讓自己過(guò)得輕松一點(diǎn)——甚至可能墜入愛(ài)河。
