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備注：已完結(jié)
類型：喜劇片
主演：蘇珊娜·西蒙 安娜·豪斯堡 尼基·馮·坦珀霍夫 Tim Schultz
語言：其它
年代：未知
簡介：故事女主人公伊內(nèi)絲的現(xiàn)實生活過得一塌糊涂，父女的關系因為媽媽的去世一直以來都不親密，彼此不理解。她和丈夫?？碌幕橐鼍褪且粋€騙局，丈夫花天酒地不勞而獲，伊內(nèi)絲一直生活在丈夫編出的一個又一個的謊話之中。她的工作也非常糟糕，在一個創(chuàng)意店里當導購……有一天，她在工作中不小心殺死了年輕時的伙伴豪克，現(xiàn)實生活已經(jīng)到了不可挽回的地步。此時因為一種意外的力量使她穿越時空回到了年輕的時候，她想改變自己的未來，改變她年輕時所做的錯誤決定，但是又遇到了意想不到的問題……
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：克里斯特爾·博登斯坦 Charles Hans Vogt Eckart
語言：其它
年代：未知
簡介：前東德最好的一部超現(xiàn)實主義幻想?。 his is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
備注：已完結(jié)
類型：劇情片
主演：斯特林·奈特 史賓塞·洛克 迪恩·蓋耶 Kote Tolordava
語言：英語
年代：未知
簡介：三個美國年輕友人，相邀到歐亞邊境國喬治亞旅行，不料在行經(jīng)偏僻的野地，其中一人誤踩到當?shù)貒硲?zhàn)時期遺留下來的地雷，正憂心身處險地的當下，竟爆出兩男一女友人間不可告人出軌關系，而正當三人爭論是否彼此原諒，彼此背棄和尋求當?shù)鼐仍畷r，一個外出打獵喬治亞住民出現(xiàn)，讓原本站在地雷上急如熱鍋螞蟻的青年，從此面臨情愛與生死交關的抉擇，倒底他的抉擇能否獲得老天的眷顧，腳踩地雷的他是否還有扭轉(zhuǎn)局勢的奇蹟？
備注：已完結(jié)
類型：劇情片
主演：Carlotta Barilli Lorenza Benedetti
導演：貝納爾多·貝托魯奇
語言：其它
年代：未知
簡介：故事開始于羅馬城內(nèi)的一起兇殺案。一名妓女在臺伯河邊的公園中遇害，幾名案發(fā)當夜出現(xiàn)在現(xiàn)場的相關人員被警方一一盤問：身無分文的年青人坎提聲稱最近在找工作，然而事實是他同兩名同伴在公園中伺機偷竊戀人們的物品；慣犯布斯德利久未與警方打交道，他在案發(fā)當日白天約會了情人，然后與供養(yǎng)他的放債女友大吵了一架；士兵特奧多羅當日則在街上糾纏陌生的女子們，他在公園的長椅上昏昏睡去，但目擊了一名穿著拖鞋的可疑男子……可疑男子到案，向警方供述當日自身的經(jīng)歷，同時將一對兒百無聊賴的年青人引入案情。不移時真相終于大白?！ ”酒且獯罄麑а葚愅恤斊娴奶幣?，根據(jù)帕索里尼的小說改編而來。
