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備注:已完結(jié)
類型:劇情片
主演:Eugen Grigoriev Sofia Halaimova Vad
語言:其它
年代:未知
簡介:The story of a five year old little rebellious girl Vitka with her teenage cousin Larysa and her boyfriend, the young criminal Scar unfolds in a Ukrainian provincial setting. Larysa finds herself at a crossroads after the death of her father. Yearning to be self made, the village community ostracizes her for loving Scar. Larysa discovers her grandmother once sacrificed her love for a young gypsy abandoning him for traditional values and other people's opinions. Larysa's mother is too psychologically weak to support her daughter. Larysa and Scar plan to escape from a life of crime, misery and their relatives. But are they ready to pay the full price for freedom
備注:已完結(jié)
類型:劇情片
主演:亨利特·斯蒂恩斯特魯普 簡·岡納·勒伊斯 托爾比約恩·哈爾 Brynj
語言:其它
年代:未知
簡介:萊克(13歲)是工黨一位著名政客的女兒,她意外地毆打了她的同學杰米,杰米是當?shù)匾晃挥乙碚偷膬鹤印HR克聲稱杰米的死是一場意外,但沒人相信她。學校校長麗芙是一位理想主義者,她違背自己的政治信仰,一直與杰米的父親卡爾·埃里克保持著秘密關系。當他們不能再為他們的關系保密時,周圍的環(huán)境會做出難以置信的反應。麗芙的哥哥安德斯是萊克和杰米的班主任。事故發(fā)生時,他本應在學校操場上,卻因未能阻止事故的發(fā)生而深感內(nèi)疚。就像水環(huán)繞著海底一樣,我們將體驗社區(qū)與事故和后果的關系。這是怎么發(fā)生的?之后又怎么可能繼續(xù)生活呢?
備注:已完結(jié)
類型:劇情片
主演:安杰拉·豐塔納 瑪麗安娜·芳塔娜 安東尼婭·特波 Toni Lauda
導演:艾多阿爾多·德·安杰利斯
語言:其它
年代:未知
簡介:即將滿18歲的連體雙胞胎姊妹黛西和維歐拉在婚禮或教堂獻唱為業(yè),兩人優(yōu)美又和諧的歌聲深受眾人歡迎,家里經(jīng)濟也仰賴她們承擔,黛西卻始終期待生活出現(xiàn)別的可能性;她們在一次表演時偶然結(jié)識一位英國醫(yī)生,并指出兩人其實有可能被分開,提議為這對姐妹花進行檢查、執(zhí)行分割手術(shù),藉此走向各 自獨立的人生;不料她們身邊的人似乎都不愿放棄這種“天生的不平凡”被強行抹滅,原本緊密連結(jié)的穩(wěn)固關系也開始產(chǎn)生動搖。
備注:已完結(jié)
類型:喜劇片
主演:恩尼奧·凡塔斯蒂基尼 喬治·科蘭杰利 吉安尼·迪·格雷格里奧 Daph
導演:吉安尼·迪·格雷格里奧
語言:其它
年代:未知
簡介:It’s never too late to make a change in your life. Attilio, Giorgetto, and the “Professore,” three retired men from Rome, are tired of their daily struggle; they dream of escaping to someplace exotic. They begin to save up the necessary money but it’s hard to break their habits. Di Gregorio continues his story of harmlessly eccentric men. With him, Giorgio Colangeli and Ennio Fantastichini in his last, very dynamic performance.
備注:已完結(jié)
類型:劇情片
主演:拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗婭·瓦薩約娃 威廉·波洛尼
導演:愛德華·格萊納
語言:其它
年代:未知
簡介:與Stefan Uher和Elo Havatta一樣,Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一周七天》(1964)《尼絨月亮》(1965)和這部《徳拉克的回歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨特帶有明顯意識流風格的黑白影片甚至間接影響到了后來法國導演格里耶在捷克拍攝的兩部影片《說謊的人》和《Eden and After》?! special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).