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備注：已完結(jié)
類型：劇情片
導(dǎo)演：張華
語(yǔ)言：
年代：未知
簡(jiǎn)介：以陳國(guó)慶70年的經(jīng)歷為背景，以改革開放后創(chuàng)業(yè)經(jīng)歷為主線，講述了隨新中國(guó)成長(zhǎng)的那一代企業(yè)家和時(shí)代交融變遷的故事。主人公經(jīng)歷了新中國(guó)成立，知青下鄉(xiāng)，國(guó)營(yíng)計(jì)劃經(jīng)濟(jì)，改革開放，下崗潮，創(chuàng)業(yè)潮，轉(zhuǎn)型升級(jí)以及品質(zhì)商城的建立。陳國(guó)慶的企業(yè)家精神就是知青下鄉(xiāng)時(shí)從農(nóng)民身上學(xué)來(lái)的不怕吃苦和艱苦奮斗。而后又從國(guó)營(yíng)廠里面開始學(xué)習(xí)各種專業(yè)技能，為以后的創(chuàng)業(yè)打下了扎實(shí)的基礎(chǔ)，之后又下海創(chuàng)業(yè)再到后來(lái)轉(zhuǎn)型升級(jí)，最終研發(fā)出了自己的專利。故事借助陳國(guó)慶這個(gè)人物，在反映當(dāng)代企業(yè)家精神面貌的同時(shí)，也反映了新中國(guó)70年的歷史變遷。故事也集中反映了我們中國(guó)這一代企業(yè)家獨(dú)具特色的企業(yè)家精神由來(lái)，發(fā)展和變化，表達(dá)了獨(dú)具中國(guó)特色的的工匠精神。
備注：已完結(jié)
類型：劇情片
主演：周采詩(shī) 薛仕凌 薛提縈 柳谷一成 KYOHEI
導(dǎo)演：陳偉
語(yǔ)言：國(guó)語(yǔ)
年代：未知
簡(jiǎn)介：電影『魚男』描述著故事的主角鄉(xiāng)憲治(薛仕凌 飾)，從小不擅表達(dá)，加上那怪異孤僻的行徑，受到週遭的排擠，內(nèi)心孤僻無(wú)援的他，時(shí)常在家中的日本料理亭，跟魚肉相伴，更迷戀上處理魚肉時(shí)刀鋒與魚肉接觸的快感，長(zhǎng)期壓抑著情緒的鄉(xiāng)憲治，決定前往日本展開新的生活?！ Q定在日本重新開始的鄉(xiāng)憲治，努力的接觸著人群，并在門司港語(yǔ)言學(xué)校開學(xué)的那天，遇見(jiàn)了同為臺(tái)灣人的學(xué)生陳紛紛(周采詩(shī) 飾)與張怡文(薛提縈 飾)，看似平靜的校園生活，其實(shí)潛藏著角色間不為人知的黑暗面?！ ￡惣娂姀男∈莻€(gè)受歡迎的女生，但另一面的她，極度在意眾人的眼光，透過(guò)周遭人們對(duì)她的奉承來(lái)填補(bǔ)內(nèi)心的空虛感；張怡文則是有著強(qiáng)烈的忌妒心，表面上跟陳紛紛是知心的好友，但骨子裡一直想勝過(guò)陳紛紛，在一旁的鄉(xiāng)憲治，始終無(wú)法理解複雜的黑暗人心，一步步陷入更深的情緒深淵?！ —?dú)自在日本的鄉(xiāng)憲治最后終于承受不了社會(huì)的壓力，內(nèi)心長(zhǎng)期被壓抑的情緒終于對(duì)人生感到極度失望，在理智與情緒的拉扯之下，選擇了最壯烈的方式，控訴這社會(huì)對(duì)他的不平等待遇，而那一刀，就像是過(guò)去在處理魚肉，毫不遲疑、熟練的順著肌理一劃... 劇情的角色分別以『戀物、虛榮、嫉妒』作為隱藏在心中的黑暗面，而這些看似正常的負(fù)面情緒，卻因一連串事件的累積，演變成一宗離奇的殺人事件。
備注：已完結(jié)
類型：劇情片
導(dǎo)演：陳凱歌
語(yǔ)言：漢語(yǔ)普通話,陜西方言
年代：未知
簡(jiǎn)介：陜北黃土高原上的貧苦女孩翠巧（薛白飾），自小由父親（譚托飾）作主定下娃娃親。八路軍文工團(tuán)團(tuán)員顧青（王學(xué)圻飾），為采集民歌來(lái)到翠巧家，一段時(shí)間后，與翠巧家彼此仿佛自家人般。顧青講述起延安婦女婚姻自主的情況，翠巧聽(tīng)后，心生向往。 父親雖善良，可又愚昧，他要翠巧在四月里完婚。顧青行將離去，翠巧要隨去延安，顧青有心無(wú)力。翠巧弟弟憨憨（劉強(qiáng)飾）跟著顧大哥，送了一程又一程。翻過(guò)一座山梁，顧青看見(jiàn)翠巧站在峰頂上，她用甜美歌喉唱歌送別，顧青深受感動(dòng)。 四月，翠巧在完婚之日，心有不甘決然逃出夫家，劃船渡河去追求新的生活……
備注：已完結(jié)
類型：劇情片
導(dǎo)演：鐘侃燮
語(yǔ)言：國(guó)語(yǔ)
年代：未知
簡(jiǎn)介：《龍鳳呈祥》主要人物集中在龍家和鳳家兩個(gè)單親家庭，龍叔和鳳姨雖然是同門學(xué)廚的師兄妹卻因?yàn)楦星橐约岸拱赆u秘方上的爭(zhēng)執(zhí)不休而形同陌路，龍叔的家教特別嚴(yán)謹(jǐn)，他不希望自己的兩個(gè)兒子從是廚師行業(yè)，然而前往美國(guó)讀書的大兒子龍一卻偏偏選擇了廚師作為自己的終身職業(yè)，而小兒子龍二看上去是個(gè)成績(jī)優(yōu)異乖巧董事的孩子，然而暗地里卻是個(gè)喜歡挑戰(zhàn)權(quán)威，制造話題的問(wèn)題少年。鳳家與龍家則完全不同，鳳姨對(duì)自己的兩個(gè)女兒采取了放任自流的民主式教育，然而就在這樣的教育制度下，大女兒咚咚卻成了一個(gè)在家里挑大梁的管家婆，而小女兒嘻嘻則變成了一個(gè)自私自利，不體諒他人的孩子。人世間的情，親情、友情、手足情、愛(ài)情“龍家”、“鳳家”兩個(gè)家庭延伸到社會(huì)群體生活。人與人之間必須從陌生、相識(shí)到相知、相愛(ài)、攜手。人與人之間也是通過(guò)互相尊重互相合作而讓世界更美好。通過(guò)對(duì)兩個(gè)極富特色的川菜系廚師家庭(龍叔、鳳姨)的情感及生活的紛紛爭(zhēng)爭(zhēng)至最后同心協(xié)力傳揚(yáng)川菜真諦的親情至上，有所感悟性的描寫，從而時(shí)時(shí)傳遞著健康、時(shí)尚、趣味的生活概念。使觀眾在收看這部劇的同時(shí)，就像自己品嘗了一道川味大餐。它不是用調(diào)侃無(wú)聊的形式去戲說(shuō)人生，而是用人物的行為和命運(yùn)去展示現(xiàn)代社會(huì)的變革，揭示人性的善與惡，推崇社會(huì)人文的和諧團(tuán)結(jié)！
備注：已完結(jié)
類型：劇情片
主演：李連杰 周迅 陳坤 李宇春 桂綸鎂 范曉萱 樊少皇 杜奕衡 劉家輝 張
導(dǎo)演：徐克
語(yǔ)言：國(guó)語(yǔ)
年代：未知
簡(jiǎn)介：明朝成化年間，朝綱腐敗，奸邪當(dāng)?shù)馈Ｎ鲝S東廠為宦官把持，混淆黑白，陷害忠良，朝野內(nèi)外噤若寒蟬。時(shí)有趙懷安（李連杰 飾）等流亡劍客挺身而出，接連鏟除東廠數(shù)名奸佞，致令閹賊膽戰(zhàn)心驚。適值此時(shí)，風(fēng)頭正勁的西廠督主雨化田（陳坤 飾）出面干預(yù)。另一方面，宮女素慧容（范曉萱 飾）懷有身孕，絕命奔逃。被雨化田的爪牙追捕途中幸得神秘俠客凌雁秋（周迅 飾）相救。二人一路輾轉(zhuǎn)逃往關(guān)外，來(lái)到曾經(jīng)引起過(guò)腥風(fēng)血雨的龍門客棧落腳。龍門客棧一如往昔，為兇險(xiǎn)異常之所在。雨化田手下追趕至此，與先前而至的韃靼商隊(duì)劍拔弩張，關(guān)鍵時(shí)刻更有與雨化田長(zhǎng)相極其相似的卜倉(cāng)舟（陳坤 飾）與女俠客顧少棠（李宇春 飾）投宿客棧。不久，趙懷安一眾也偷偷潛至龍門。 各方勢(shì)力云集于此，新的正邪之戰(zhàn)即將展開，更有天大的秘密即將揭開……
備注：已完結(jié)
類型：動(dòng)作片
主演：Robert Shannon 阿德里安·布薛特 Les Loveday
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：We follow a squad of American paratroopers as they struggle to carry out a mission only one of them knows the real reason for undertaking. As tensions become heightened in the heat of battle, can you depend on the guy next to you, or is he not what he appears to be Set in the aftermath of the allied invasion of France in the summer of 1944 a squad of American paratroopers struggle to carry out a mission only one of them knows the real reason for undertaking. As tensions become increasingly heightened in the heat of battle, trust becomes not only their hope but their fear as well. Are their allies really who they appears to be Shannon productions have completed principle photography on their first Feature film, 'Battle Recon' written and directed by Robert Shannon. They are now working in association with the Molinaire film and TV village to complete post production and Special Effects. 2011 will see the project develop into a series for television.
備注：已完結(jié)
類型：動(dòng)作片
導(dǎo)演：丁文
語(yǔ)言：漢語(yǔ)普通話 / 日語(yǔ)
年代：未知
簡(jiǎn)介：老家要拆遷了，張居然來(lái)拿走最后的一點(diǎn)東西，卻發(fā)現(xiàn)一塊父親曾經(jīng)戴過(guò)的手表。意外失蹤的父親張姚沒(méi)有給兒子張居然留下什么。傷心的張居然戴上這塊手表卻被突然出現(xiàn)的日本人綁架。一同被綁架的還有好友吉吉和陸一一。日本人逼問(wèn)張居然“時(shí)間監(jiān)獄”在哪里，張居然為了脫身，用表頭無(wú)意間開啟手表的特殊功能。來(lái)到了神秘的空間“時(shí)間監(jiān)獄”，觸碰里面的寶石便能穿越。就這樣張居然回到了1988年，搖身一變成為了自己的父親—張姚。并看到了自己素未謀面的親生母親—馬丹。于是在一次次的穿越輪回中，張居然知道了一段塵封在歷史的神奇故事，和上一輩之間的愛(ài)恨情仇。在穿越中，神秘空間“時(shí)間監(jiān)獄”一次次的崩塌，對(duì)張居然的威脅越來(lái)越大。終于到了，張居然要在現(xiàn)實(shí)和過(guò)去中做出選擇的時(shí)候了。
備注：已完結(jié)
類型：動(dòng)作片
導(dǎo)演：費(fèi)爾南多·迪·萊沃
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
