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備注：已完結(jié)
類型：劇情片
主演：李連杰 關(guān)之琳 莫少聰 熊欣欣 劉洵 莊域飛 Jin Chiu 葛存壯
導(dǎo)演：徐克
語言：粵語
年代：未知
簡(jiǎn)介：晚清末年，大清帝國(guó)搖搖欲倒。面對(duì)外敵來襲，慈禧太后鼓勵(lì)民間習(xí)武抗敵。李鴻章為了逢迎太后，舉辦起一年一屆的“獅王爭(zhēng)霸”大賽?！蔼{王爭(zhēng)霸”其實(shí)就是各們各派舞起獅子頭，以武力爭(zhēng)奪錦標(biāo)?！ 蔼{王爭(zhēng)霸”的消息一傳出，各大門派紛紛摩拳擦掌，暗中招兵買馬。一時(shí)，京城門派沖突四起。黃飛鴻（李連杰 飾）上書李鴻章欲取消“獅王爭(zhēng)霸”，無奈李鴻章沒有理會(huì)。無奈之下，黃飛鴻只好親自參加“獅王爭(zhēng)霸”，阻止各門派的自相殘殺。 “獅王爭(zhēng)霸”終于開鑼了！這天校場(chǎng)上塵土飛揚(yáng)，各門派自造的形象各異、殺傷力極強(qiáng)的“獅子頭”粉墨登場(chǎng)。黃飛鴻親自率領(lǐng)鬼腳七等徒弟也趕到了……
備注：已完結(jié)
類型：劇情片
主演：杰瑞米·倫敦 克里斯蒂·卡爾森·羅曼諾 楊茜·巴特勒 馬克·達(dá)卡斯考斯
導(dǎo)演：格里夫·弗斯特
語言：English
年代：未知
簡(jiǎn)介：一個(gè)新變的狼人被一組吸血鬼獵人招募，要將世界從一個(gè)納粹吸血鬼首領(lǐng)中解救出來。
備注：已完結(jié)
類型：劇情片
主演：杰瑞米·雷納 伊麗莎白·奧爾森 凱爾西·周 茱莉亞·瓊斯 特歐·布里奧
導(dǎo)演：泰勒·謝里丹
語言：
年代：未知
簡(jiǎn)介：科里·蘭伯特是美國(guó)懷俄明州印第安自留區(qū)捕獵者和FBI探員珍·班納一起調(diào)查一宗發(fā)生在風(fēng)河谷的少女謀殺案，一個(gè)從自然中汲取生活智慧和信仰的獵人，一個(gè)還未熟諳行政痼疾和刑事規(guī)律的新人探員，他們倆代表著兩種完全不同的文化背景和社會(huì)形態(tài)，在一宗謀殺案的牽扯下，漸漸走入了充滿人性掙扎的迷霧當(dāng)中，隨著更多層身份和復(fù)雜脈絡(luò)的揭開，人物危險(xiǎn)處境慢慢升級(jí)，愈發(fā)緊張激烈，案件的內(nèi)核也逐漸顯現(xiàn)。
備注：已完結(jié)
類型：劇情片
主演：杰弗里·亨特 大衛(wèi)·簡(jiǎn)森 維克·達(dá)莫內(nèi) 帕特里夏·歐文斯
導(dǎo)演：菲爾·卡爾森
語言：英語
年代：未知
簡(jiǎn)介：幼小的蓋伊在母親去世后被一個(gè)具有美國(guó)和日本兩種血統(tǒng)的家庭收養(yǎng)。在這種環(huán)境中長(zhǎng)大的蓋伊不僅學(xué)會(huì)了日語，對(duì)日本的風(fēng)俗也十分熟悉。珍珠港事件爆發(fā)了，蓋伊的養(yǎng)父母因其日本血統(tǒng)的嫌疑而被送到了國(guó)際收容所，蓋伊的兩個(gè)哥哥以美國(guó)公民的身份參了軍，被派往歐洲作戰(zhàn)。通曉日語的蓋伊被美國(guó)海軍陸戰(zhàn)隊(duì)某部招為翻譯，美軍發(fā)動(dòng)了攻打被日軍占領(lǐng)的塞班島的戰(zhàn)役，蓋伊也隨軍參戰(zhàn)。戰(zhàn)斗中，蓋伊的一個(gè)個(gè)好友紛紛中彈身亡，為避免流更多的血，蓋伊請(qǐng)求前去日軍處勸降。身入險(xiǎn)境的蓋伊經(jīng)過重重艱險(xiǎn)，終于使島上的日本軍隊(duì)放下武器，接受了和平
備注：已完結(jié)
類型：劇情片
主演：馬里烏什·德莫霍夫斯基 貝婭塔·蒂?；S茨 菲耶夫斯基·塔德烏什 Ja
導(dǎo)演：沃伊切赫·哈斯
語言：其它
年代：未知
簡(jiǎn)介：The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
