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備注:已完結(jié)
類(lèi)型:恐怖片
導(dǎo)演:KellyHalihan
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Afterlearningthattheiryoungersiblingescapedanearlierkidnappingattemptthatalsokilledtheirparents
備注:已完結(jié)
類(lèi)型:恐怖片
主演:凱瑟琳·德納芙 伊恩·亨德里 約翰·弗拉瑟 伊馮·弗奴克絲 帕特里克·
導(dǎo)演:羅曼·波蘭斯基
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:從布魯塞爾來(lái)到倫敦的卡蘿爾(凱瑟琳·德納芙 Catherine Deneuve 飾)是當(dāng)?shù)匾患颐廊萆除埖膯T工。在這個(gè)光怪陸離的大都會(huì),青春美麗的卡蘿爾竭力壓抑自己心中躁動(dòng)的欲望,由此她表現(xiàn)出些許的焦慮和神經(jīng)質(zhì)。雖然有年輕帥氣的小伙子柯林(John Fraser 飾)鍥而不舍地追求,但卡蘿爾更愿意和姐姐海倫(Yvonne Furneaux 飾)廝守在一起。相較于容易緊張的妹妹,海倫似乎頗為適應(yīng)這個(gè)社會(huì),她與一名有婦之夫相戀,兩人相約利用假期去意大利旅行。然而,海倫的離開(kāi)卻讓卡蘿爾的精神接近崩潰邊緣,無(wú)可挽回的悲劇由此上演…… 本片榮獲1965年柏林國(guó)際電影節(jié)銀熊獎(jiǎng)評(píng)委會(huì)特別獎(jiǎng)和國(guó)際影評(píng)人費(fèi)比西獎(jiǎng)。
備注:已完結(jié)
類(lèi)型:恐怖片
主演:普里德拉格·比耶拉克 CarloSabatini BohumilSva
導(dǎo)演:約翰·摩爾
語(yǔ)言:英語(yǔ) / 意大利語(yǔ)
年代:未知
簡(jiǎn)介:6月6日凌晨6點(diǎn),美國(guó)外交官羅伯特?舍恩(Liev Schreiber 飾)剛出生的兒子不幸夭亡,在斯派爾多神父(Giovanni Lombardo Radice 飾)的建議之下,他收養(yǎng)了一個(gè)出生不久母親便過(guò)世的嬰兒,并為其取名戴明。
備注:已完結(jié)
類(lèi)型:恐怖片
主演:海倫·海絲 巴納德·休斯 詹姆森·帕克 賽季·赫布利 凱西·耶茨
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Major Palgrave, an idiosyncratic but charming mystery writer, reveals to Miss Marple that one of the guests at a luxurious Caribbean resort they're staying at is a Bluebeard-type wife murderer. Unfortunately, the Major succumbs to an apparently accidental overdose of alcohol and blood pressure medication before revealing the killer's identity. When it's discovered that the medicine belonged to another guest and the revealing photograph the Major was carrying is missing, Miss Marple realizes that the serial killer has struck again and more murders will follow.
備注:已完結(jié)
類(lèi)型:恐怖片
導(dǎo)演:弗雷迪·弗朗西斯
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other. Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.