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備注：已完結(jié)
類型：泰劇
主演：翁拉維·那提通 希蘭格里·昌康 吉拉瓦·蘇提瓦尼沙克 瓦魯
導(dǎo)演：Muangthai Sarupkarn Prang Sasinan Pattana Nat Thachai Komolphet Dome Jarupat Kannula PingPong Suwanun Pohgudsai Baitoey Thanaporn Petcharat
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介： 這部選集講述了七個(gè)故事，講述了人們使用超自然力量來(lái)達(dá)到他們的目標(biāo)?！ his anthology tells seven stories of people who use supernatural forces to meet their goals.
備注：已完結(jié)
類型：劇情片
主演：瓊·拉斯皮尤爾
導(dǎo)演：Colectivo Negu
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介： an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.
備注：已完結(jié)
類型：海外劇
主演：埃米爾漢·帕爾拉克 恩維爾·胡斯雷沃格魯 塞拉哈廷·帕薩利
導(dǎo)演：Zeynep Gunay Tan
語(yǔ)言：土耳其語(yǔ)
年代：未知
簡(jiǎn)介： Kemal來(lái)自伊斯坦布爾一個(gè)富裕的家庭，在20世紀(jì)70年代偶然相遇后，與他的遠(yuǎn)親Füsun開(kāi)始了一段癡迷的關(guān)系，并收集她的個(gè)人物品作為他愛(ài)的象征。 來(lái)自伊斯坦布爾最富有的家庭之一的Kemal和他貧窮而遙遠(yuǎn)的年輕親戚Füsun之間的持久、動(dòng)蕩的戀情始于20世紀(jì)70年代，兩人偶然相遇。Kemal為了他的愛(ài)愿意接受整個(gè)世界，他開(kāi)始收集他心愛(ài)的人的耳環(huán)、她的發(fā)夾，甚至她丟棄的煙頭......愛(ài)是什么？一種癡迷、一種痛苦、一場(chǎng)破壞我們?nèi)松壽E的事故；還是一種偉大而純真的幸福？
備注：已完結(jié)
類型：海外劇
主演：布米·佩德卡爾 Saurabh Goyal Neha Mish
導(dǎo)演：Amrit Raj Gupta
語(yǔ)言：印地語(yǔ)
年代：未知
簡(jiǎn)介： 孟買新任命的DCP麗塔·費(fèi)雷拉（Rita Ferreira）被她過(guò)去的內(nèi)疚所困擾，她必須開(kāi)始調(diào)查，讓她與一個(gè)冷血的殺手發(fā)生沖突，即使她必須挽救自己的生命，免于分崩離析。
備注：已完結(jié)
類型：恐怖片
主演：Robert Palmer Watkins Brittany Unde
導(dǎo)演：Gunnar GarrettRitchie Greer
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：十三歲的雙胞胎女孩被安置在一個(gè)由關(guān)系不和的夫婦撫養(yǎng)的家庭，她們發(fā)現(xiàn)人們并不總是像他們看起來(lái)的那樣。
備注：已完結(jié)
類型：歐美劇
主演：米莎·巴頓 本·霍靈斯沃斯 薩拉·帕克斯頓 尼可·托托雷拉 科賓·布魯
導(dǎo)演：Christian Duguay（Pilot）等
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：一次偶然中，艷壓群芳的女孩瑞娜（薩拉·帕克斯頓 Sara Paxton 飾）被時(shí)裝設(shè)計(jì)師發(fā)掘，以此為契機(jī)，她得以進(jìn)入了外行人看來(lái)光鮮亮麗實(shí)際上卻充滿了變數(shù)和競(jìng)爭(zhēng)的模特界。與此同時(shí)，曾經(jīng)在圈內(nèi)風(fēng)靡一時(shí)之后卻銷聲匿跡的名模桑雅（米莎·巴頓 Mischa Barton 飾）亦回到了闊別已久的舞臺(tái)，然而，在這個(gè)瞬息萬(wàn)變的世界里，桑雅的人氣和影響力早已今非昔比。 克瑞斯（本·霍靈斯沃斯 Ben Hollingsworth 飾）是模特界里初出茅廬的新人，所幸得到了瑞娜的幫助才克服了緊張，順利通過(guò)面試。經(jīng)由瑞娜介紹，克瑞斯結(jié)識(shí)了馬瑞莎（阿什麗·瑪?shù)驴宿?Ashley Madekwe 飾）、伊薩克（科賓·布魯 Corbin Bleu 飾）等同行，會(huì)有怎樣精彩的故事發(fā)生在這群人之間呢？
備注：已完結(jié)
類型：劇情片
主演：馬克·加蒂斯 查理·科里德-米爾斯 丹尼爾·梅斯 理查德·加德
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial. More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed. With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him. Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」 Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」 The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones. Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.
